On-site Access: Accessible by appointment in the Study Room / Genre: sporting art

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it Somehow

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Down Leap

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" The Down Leap Done

1818

Tessa Pullan, born 1953

Racing Scene: three racehorses with jockeys up

1994

James Seymour, 1702–1752

Six Studies of Horses and Riders

undated

unknown artist

Morning

1799

unknown artist

Evening

1799

George Alken, 1794–active 1837

Exercising a Racehorse

undated

Henry Thomas Alken, 1785–1851

"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right

undated

Henry Thomas Alken, 1785–1851

"Scraps", No. 28: Skittle Alley With Players and Spectators

1823

Henry Thomas Alken, 1785–1851

"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse

1823

Henry Thomas Alken, 1785–1851

"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds

undated

Henry Thomas Alken, 1785–1851

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

1823

Henry Thomas Alken, 1785–1851

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

1823

Henry Thomas Alken, 1785–1851

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Turbaned Cavalryman, Right Arm with Curved Sword Upraised

between 1827 and 1851

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it No How

1818

unknown artist

Mid-Day

1799

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

1821

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

between 1848 and 1851

William Heath, 1795–1840

Woodcock Shooting

undated

Thomas Rowlandson, 1756–1827

'How to Twist Your Neck'

undated

Philip William May, 1864–1903

Final Instructions

undated

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot

1823

Print made by Richard Parkes Bonington, 1802–1828

Glenfinlas

1826

Print made by unknown artist

Illustrations used for 17th Century Chapbook

1909

James Seymour, 1702–1752

Horse with Rider Wearing Tricorne Hat, Walking to Right

undated

James Seymour, 1702–1752

Two Studies of Tumbler, a Dog

undated

Thomas Rowlandson, 1756–1827

A French Nobleman out Shooting

1778

Thomas Rowlandson, 1756–1827

The Enraged Vicar

undated

unknown artist

Special Excursions to Race Meetings: Westcliff-on-Sea Coach Services

after 1929

Francesco Bartolozzi, 1728–1815

Diana Preparing for the Hunt

1781

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by Alfred W. Cooper, active 1850–1901

A-Hunting We Will Go (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

A-Hunting We Will Go

undated

James Mitchell, 1791–1852

Rat Hunters

1830

Francesco Bartolozzi, 1728–1815

Regatta Ball at Ranelagh

1775

Thomas Rowlandson, 1756–1827

Landscape with a Hunting Party

undated

Bruce Davidson, born 1933

Brighton

1960

Bruce Davidson, born 1933

Brighton

1960

Bruce Davidson, born 1933

Cambeltown, Argyll, Scotland

1960

Thomas Rowlandson, 1756–1827

Drawing Cover

undated

Thomas Rowlandson, 1756–1827

A Stag Hunt in the West Country

undated

attributed to James Ward, 1769–1859

Study of a Cow

undated

unknown artist

Retriever with Hare in Its Mouth

early 19th century

John Buckler FSA, 1770–1851

The Spanish Pointer

ca. 1799

John Wootton, 1682–1764

A Stag Hunt

undated

Francis Barlow, 1622–1704

Man Hunting with a Pointed Staff and a Hound

ca. 1645-1650

Jan Wyck, ca. 1645–1700

Staghunt

undated

Print made by James T. Willmore, 1800–1863

Llangollen, North Wales

1837

Print made by Thomas Higham, 1796–1844

Boulevards, Paris

1835

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Robert Dighton, 1752–1814

A Country Amusement - Bull Baiting

undated

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Susannah Wales, Lady Malet, 1779–1868

A Cheetah Hunting Party with Charles Warre Malet

undated

Robert Dighton, 1752–1814

Modern Exercise

undated

Alfred Diston, active 1818–1829

Square in the Village of Los Silos, Tenerife

1827