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Period 18th century

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George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
Thomas Priest Lambeth Palace from Across the River
Thomas Priest, active 1738–1750
Lambeth Palace from Across the River
undated
Charles Gore Port d'Arona
Charles Gore, 1729–1807
Port d'Arona
1795
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
Henry Swinburne Plan of the Mesquita of Cordova
Henry Swinburne, 1743–1803
Plan of the Mesquita of Cordova
1775 to 1776
Michael "Angelo" Rooker Kenilworth Castle, with Figures on the Hillside
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
William Pars A View at Lucerne
William Pars, 1742–1782
A View at Lucerne
1775
Colen Campbell Unidentified Town House: Front Elevation
Colen Campbell, 1676–1729
Unidentified Town House: Front Elevation
undated
James Bruce The Ruins of Carthage
James Bruce, 1730–1794
The Ruins of Carthage
ca. 1769
unknown artist A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Parade Dequinte sur le Coup de Quinte
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
James Gwin De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin Du Desarmement Aprés la Parade au Dehors des Armes
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
Dominic Serres Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
unknown artist Two Frigates
unknown artist
Two Frigates
undated
unknown artist L'Orient 1776: Map of the Port of Orient
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
undated
James Paine Design for a Temple on a Square Plan and with a Dome: Elevation
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
James Paine Design for a Circular Domed Temple: Elevation
James Paine, 1717–1789
Design for a Circular Domed Temple: Elevation
undated
John Sanderson Langley Park, Norfolk: Elevation of the South Front
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
unknown artist Elevations of a Room
unknown artist
Elevations of a Room
undated
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Samuel Buck Herstmonceux Castle, Sussex
Samuel Buck, 1696–1779
Herstmonceux Castle, Sussex
undated
Colen Campbell Lowther House, Westmorland: Elevation of the Garden Front
Colen Campbell, 1676–1729
Lowther House, Westmorland: Elevation of the Garden Front
between 1718 and 1729
Colen Campbell Lowther House, Westmorland: Elevation of the Court Front
Colen Campbell, 1676–1729
Lowther House, Westmorland: Elevation of the Court Front
between 1718 and 1729
Anthony Walker Britannia in Distress
Anthony Walker, 1726–1765
Britannia in Distress
1756
James Moore Cerne Abbey
James Moore, 1762–1799
Cerne Abbey
1791
James Moore Exeter Cathedral, Devon, England
James Moore, 1762–1799
Exeter Cathedral, Devon, England
1791
Thomas Rowlandson Labourers at Rest
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
Thomas Girtin Eton College from Datchet Road
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
Thomas Rowlandson A Timber Waggon
Thomas Rowlandson, 1756–1827
A Timber Waggon
ca. 1790
Henry Swinburne Entrance of the Torre de las dos Hermanas in the Alhambra
Henry Swinburne, 1743–1803
Entrance of the Torre de las dos Hermanas in the Alhambra
1775 to 1776
Henry Swinburne Sketches for Capitals of Columns and Mosaic Squares at Alhambra
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
Henry Swinburne Isle of Capri Seen on the South
Henry Swinburne, 1743–1803
Isle of Capri Seen on the South
1777 to 1778
Henry Swinburne Study of a Section Piece From The Lions Court at Alahambra
Henry Swinburne, 1743–1803
Study of a Section Piece From The Lions Court at Alahambra
1775 to 1776
Thomas Rowlandson Horsemen Colliding
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
William Pars Sketch of a Horseman, From the Parthenon Frieze
William Pars, 1742–1782
Sketch of a Horseman, From the Parthenon Frieze
undated
William Pars Sketch of Centaurs and Lapiths From a Frieze
William Pars, 1742–1782
Sketch of Centaurs and Lapiths From a Frieze
undated
unknown artist Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
unknown artist
Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
ca. 1785
William Pars Landscape with Temple Ruins at Sunium
William Pars, 1742–1782
Landscape with Temple Ruins at Sunium
undated
unknown artist Views in the Levant: Study of Figures From a Frieze or Panel
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
unknown artist Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
unknown artist
Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
ca. 1785
Thomas Rowlandson Embarkation at Southampton, June 20th 1794
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
Batty Langley Moody Hall: Front Elevation and Principal Floor Plan
Attributed to Batty Langley, 1696–1751
Moody Hall: Front Elevation and Principal Floor Plan
undated
Bernard Lens III The Entrance to Wookey Hole, Somerset
Bernard Lens III, 1682–1740
The Entrance to Wookey Hole, Somerset
ca. 1719
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
Charles Brooking Two Frigates before the Wind
Charles Brooking, 1723–1759
Two Frigates before the Wind
undated
Dominic Serres Firing a Salute
Dominic Serres, 1722–1793
Firing a Salute
1770
Coplestone Warre Bampfylde Crowcombe Court: a gentleman with his dog walking by the river
Coplestone Warre Bampfylde, 1719–1791
Crowcombe Court: a gentleman with his dog walking by the river
ca. 1775
Michael "Angelo" Rooker Scenery, Haymarket Theatre
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
Charles Brooking The Flagship of a Commander in Chief
Charles Brooking, 1723–1759
The Flagship of a Commander in Chief
undated
Rev. William Gilpin Landscape with Large Cruciform
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
1765
Rev. William Gilpin Two Trees in a Landscape
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
Rev. William Gilpin View of Windermere
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
Rev. William Gilpin Landscape with Road Leading to Abbey
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
Rev. William Gilpin Landscape with Castle on Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
Rev. William Gilpin Three Figures in a Landscape
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
Rev. William Gilpin Mountain Landscape
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
Captain John Bernard Gilpin View from a Riverbank
Captain John Bernard Gilpin, 1701–1776
View from a Riverbank
undated
Isaac Weld View of the Falls of Niagara
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
James Gwin De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
unknown artist Docks, September 6, 1777
unknown artist
Docks, September 6, 1777
1777
Sawrey Gilpin A Dwelling
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
Rev. William Gilpin Landscape with Castle, River and Mountain
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
Rev. William Gilpin River Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position de la Garde en Quarte, et le Coup de Quarte Basse
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763