Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
3
unknown artist
Stables at Grittleton House, Wiltshire
ca. 1835
4
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
5
unknown artist
Design for a Classical House
undated
6
unknown artist
A Half-timbered House
ca. 1800
7
John Yenn, 1750–1821
Design for a Doorway
1781
8
Isaac Johnson, 1754–1835
Survey of Beauthorp-Hall Estates
1753
9
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
10
Edward Walhouse Mark, 1817–1895
The Roman Doric or Italian of Palladio
undated
11
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
12
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
13
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
14
Robert Streatfeild, 1786–1852
View of a House
undated
15
unknown artist
A Half-Timbered House
ca. 1800
16
unknown artist
Alms-Houses at Greenhithe, Kent
1774
17
unknown artist
Design for an Altar
undated
18
Formerly David Loggan, 1633–1692
Designs for a Stables
undated
19
unknown artist
Design for a Wine Cooler
undated
20
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
21
unknown artist
Newbattle Abbey, Scotland
ca. 1830
22
unknown artist
Paultons, Hampshire
undated
23
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
24
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
25
unknown artist
Design for a Library
undated
26
unknown artist
Design for a Saloon
undated
27
unknown artist
Design for a Lamp
undated
28
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
29
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
30
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
31
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
32
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
33
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
34
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
35
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
36
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
37
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
38
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
39
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
40
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
41
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
42
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
43
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
44
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
45
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
46
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
47
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
48
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
49
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
50
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
51
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
52
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
53
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
54
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
55
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
56
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
57
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
58
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
59
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
60
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
61
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
62
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
63
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
64
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
65
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
66
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
67
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
68
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
69
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
70
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
71
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
undated
72
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
73
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
74
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
75
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
76
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
77
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
78
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
79
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
80
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
81
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
82
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
83
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
undated
84
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
85
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
86
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
87
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
88
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
89
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
90
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
91
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
92
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
93
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
94
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
undated
95
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
96
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
97
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
98
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
99
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
100
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style