etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
4
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
5
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
6
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
7
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
9
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
10
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
11
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
12
Print made by Samuel Palmer, 1805–1881
The Vine
1852
13
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
14
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
15
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
16
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
17
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
18
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
19
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
20
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
21
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
22
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
23
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
24
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
25
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
26
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
27
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
28
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
29
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
30
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
31
Print made by William Richardson, active 1842–1877
Ashestiel
1835
32
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
33
Print made by Elisha Kirkall, ca. 1682–1742
Apollo and Daphne
undated
34
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
35
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
36
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
37
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
38
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
39
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
40
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
1834
41
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
42
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
43
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
44
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
45
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
46
Print made by William Forrest, 1802–1889
Smailholm Tower
1836
47
Print made by William Forrest, 1802–1889
Fingal's Cave Staffa
1836
48
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
49
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
50
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
51
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
52
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
53
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
54
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
55
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
56
Print made by Thomas Abiel Prior, 1809–1886
The Bay of Baiae, Apollo and the Sibyl
1873
57
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
58
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
59
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain