Position de la Garde de Tierce et le Coup de Seconde
1763
4
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
5
John Nixon, ca. 1760–1818
Brighton Races
1805
6
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
7
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
8
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
9
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
10
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
11
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
12
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
13
James Gwin, 1700–1769
Premiere Position du Salut
1763
14
James Gwin, 1700–1769
Seconde Position du Salut
1763
15
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
16
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
17
James Gwin, 1700–1769
Troisieme Position du Salut
1763
18
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
19
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
20
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
21
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
22
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
23
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
24
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
25
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
26
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
27
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
28
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
29
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
30
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
31
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
32
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
33
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
34
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
35
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
36
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
37
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
38
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
39
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
40
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
41
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
42
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
43
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
44
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
45
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
46
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
47
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
48
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
49
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
50
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
51
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
52
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
53
George Barret, ca. 1728/32–1784
River with Angler
undated
54
Sawrey Gilpin, 1733–1807
A View of the Ascot Heath
undated
55
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
56
Thomas Rowlandson, 1756–1827
Landscape with a Hunting Party
undated
57
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
58
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
59
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
60
Thomas Rowlandson, 1756–1827
A Stag Hunt in the West Country
undated
61
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
62
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
63
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
64
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
65
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
66
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
67
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
68
Samuel Howitt, 1756–1822
The Kill
undated
69
Robert Pollard, 1755–1838
Fly Fishing
undated
70
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
71
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
72
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
73
unknown artist
A Dangerous Leap
ca. 1850
74
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
undated
75
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
76
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
77
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
78
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
79
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
80
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
81
unknown artist
Evening
1799
82
unknown artist
Morning
1799
83
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
84
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
85
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
86
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
87
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
88
James Seymour, 1702–1752
Conqueror Going to Start
undated
89
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
90
Francis Barlow, 1622–1704
Hare Hunting
undated
91
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
92
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
93
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
94
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
95
John Wootton, 1682–1764
The Meet
undated
96
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
97
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
98
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
99
Henry Thomas Alken, 1785–1851
Jumping a Double Oxer - A Rider in Difficulties
undated
100
Henry Thomas Alken, 1785–1851
Steeplechasing: Four Riders Taking a Ditch and an Oxer