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William Blake The Horse
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Samuel Palmer, 1805–1881
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
Samuel Palmer A Cow Lodge with a Mossy Roof
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
Samuel Palmer The Valley of Vision
Samuel Palmer, 1805–1881
The Valley of Vision
undated
Samuel Palmer A Cottage among Trees, Shoreham
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer An Ancient Barn at Shoreham
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
Samuel Palmer Opening the Fold: Early Morning
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
George Stubbs Horses Fighting
after George Stubbs, 1724–1806
Horses Fighting
undated
John Constable Brighton Beach Looking West
John Constable, 1776–1837
Brighton Beach Looking West
undated
John Constable A View on the Orwell
attributed to John Constable, 1776–1837
A View on the Orwell
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851
Ship Aground Brighton
1830
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
Joseph Mallord William Turner Leeds
Joseph Mallord William Turner, 1775–1851
Leeds
1816
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear River pass, between barren rock cliffs
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
Edward Lear El Areesh (Torrens Ægypti)
Edward Lear, 1812–1888
El Areesh (Torrens Ægypti)
1867
Edward Lear Near Khan Yunas
Edward Lear, 1812–1888
Near Khan Yunas
1867
Edward Lear Brown's Parakeet
after Edward Lear, 1812–1888
Brown's Parakeet
1832
Edward Lear Near Daboad
Edward Lear, 1812–1888
Near Daboad
1867
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Just above Ekhmim
Edward Lear, 1812–1888
Just above Ekhmim
1867
Edward Lear Abydos, 1:00 pm, 12 January 1867 (134)
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
Edward Lear Strongyli
Edward Lear, 1812–1888
Strongyli
May 4, 1864
Edward Lear Catania
Edward Lear, 1812–1888
Catania
1847
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear Near Gezir Shendowiel
Edward Lear, 1812–1888
Near Gezir Shendowiel
1867
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Karnak, 9:30 pm, 22 January 1867 (212)
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
Edward Lear Near Aswan
Edward Lear, 1812–1888
Near Aswan
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Karnak, 10:00 pm, 22 January 1867 (213)
Edward Lear, 1812–1888
Karnak, 10:00 pm, 22 January 1867 (213)
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Jerusalem, Plate 10, "Into the Furnaces...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 10, "Into the Furnaces...."
1804 to 1820
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 21, "O Vala! O Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820