Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
4
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
5
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
6
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
7
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
8
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
9
John Yenn, 1750–1821
Design for a Doorway
1781
10
unknown artist
Design for a Lamp
undated
11
John Yenn, 1750–1821
Design for a Doorway
1781
12
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
13
unknown artist
Design for a Clock Case
undated
14
unknown artist
Design for a Lamp
undated
15
unknown artist
Design for a Library
undated
16
unknown artist
Design for a Saloon
undated
17
unknown artist
Design for an Altar
undated
18
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
19
unknown artist
Design for Herms
undated
20
unknown artist
Design for a Wine Cooler
undated
21
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
22
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
23
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
24
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
25
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church
undated
26
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
27
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
undated
28
Thomas Anburey, 1759–1840
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
29
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
30
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
31
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
32
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
33
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
34
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
35
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
36
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
37
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
38
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
39
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
40
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
41
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
42
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
43
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
44
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
45
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
46
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
47
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
48
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
49
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
50
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
51
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
52
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
53
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
54
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
55
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
56
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
57
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
58
unknown artist
Alms-Houses at Greenhithe, Kent
1774
59
unknown artist
The Choir St. Marys (with ms. notes)
undated
60
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
61
unknown artist
Design for a Classical House
undated
62
unknown artist
A Half-timbered House
ca. 1800
63
unknown artist
Paultons, Hampshire
undated
64
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
65
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
66
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
67
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
68
unknown artist
Transept of St. Saviour's, Southwark, London
undated
69
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
70
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
71
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
72
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
73
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
74
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
75
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
76
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
77
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
78
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
79
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
80
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
81
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
82
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
83
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
84
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
85
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
86
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
87
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
88
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
89
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
90
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
91
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
92
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
93
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
94
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
95
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
96
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
97
Print made by Sir David Young Cameron, 1865–1945
R. 42. Greenock, No. 1. No. 13 in the Clyde Set
1889
98
William Lee Hankey, 1869–1952
British General Headquarters at Montreuil
1917
99
Print made by Paul Drury, 1903–1987
Nicol's Farm
1925
100
unknown artist
Hinton St. George, Somerset: Design for a Door Frame