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George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Seated Men
Edward Lear, 1812–1888
Seated Men
1867
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
John Linnell Woodcutters in a Forest
John Linnell, 1792–1882
Woodcutters in a Forest
undated
John Martin Mountainous Landscape with Figures and a Rock Above a Lake
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Samuel Prout Mechanical Grinder with Figures
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
John Nixon Study for, In Mr. Barnard's Boat, Kingston
John Nixon, ca. 1760–1818
Study for, In Mr. Barnard's Boat, Kingston
undated
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
Sir Stanley Spencer Study of Three Figures for "Adoration of Old Men"
Sir Stanley Spencer, 1891–1959
Study of Three Figures for "Adoration of Old Men"
undated
John Glover Sea-Faring Men
John Glover, 1767–1849
Sea-Faring Men
undated
William Henry Harriott Fish Market, Hastings
William Henry Harriott, active 1811, died 1839
Fish Market, Hastings
1824
Walter Greaves Chelsea Bridge with Men in a Barge
Walter Greaves, 1846–1930
Chelsea Bridge with Men in a Barge
1860
Thomas Hearne The Chestnut Tree at Little Wymondley, Hertfordshire
Thomas Hearne, 1744–1817
The Chestnut Tree at Little Wymondley, Hertfordshire
undated
Thomas Hearne A Rustic Scene
Thomas Hearne, 1744–1817
A Rustic Scene
undated
Thomas Hearne Goodrich Castle on the Wye
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
Thomas Hearne Thaxted Church, Essex
Thomas Hearne, 1744–1817
Thaxted Church, Essex
ca. 1800
James Green Figures taking the Waters at the Spa at Scarborough
James Green, 1771–1834
Figures taking the Waters at the Spa at Scarborough
undated
William Green The Devil's Bridge, Kirkby Lonsdale
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
Thomas Hearne Unloading Pit Props at Coalbrookdale
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
Thomas Hearne The Bayswater Turnpike
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
Samuel Howitt A Bear Attacking a Fallen Indian
Samuel Howitt, 1756–1822
A Bear Attacking a Fallen Indian
undated
John Henderson Weymouth: with figures, shipping and view of (?) the Custon House
John Henderson, 1764–1843
Weymouth: with figures, shipping and view of (?) the Custon House
undated
George Heriot Canadian Figure Studies
George Heriot, 1766–1844
Canadian Figure Studies
undated
Samuel Prout Beauvais Cathedral
Samuel Prout, 1783–1852
Beauvais Cathedral
undated
John Frederick Lewis Sheik Hussein of Gebel Tor and His Son
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
John Frederick Lewis Highland Hospitality
John Frederick Lewis, 1804–1876
Highland Hospitality
1832
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
Thomas Rowlandson The Picnic
Thomas Rowlandson, 1756–1827
The Picnic
undated
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Godfrey Thomas Vigne Cerco de Paro, Lima
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
Godfrey Thomas Vigne Greytown
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
John Thomas Serres Plymouth Roads
John Thomas Serres, 1759–1825
Plymouth Roads
undated
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
William Henry Hunt Two Peasants by a Window
attributed to William Henry Hunt, 1790–1864
Two Peasants by a Window
undated
William Henry Hunt A Farmhouse
William Henry Hunt, 1790–1864
A Farmhouse
ca. 1817
William Henry Hunt The Portico of St. Martin-in-the-Fields
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
George Moutard Woodward The Royal Rush Light
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
James Pollard A Fishmonger's Shop with Customers Outside
James Pollard, 1792–1867
A Fishmonger's Shop with Customers Outside
undated
Michael "Angelo" Rooker Kenilworth Castle, with Figures on the Hillside
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
unknown artist Brighton Town and Church
unknown artist
Brighton Town and Church
ca. 1780
Lt. Joseph Sparkhall Rundle Action at Kowloon
Lt. Joseph Sparkhall Rundle, 1815–1880
Action at Kowloon
1839
William Henry Hunt Dr. Munro's Carpenter at Work
William Henry Hunt, 1790–1864
Dr. Munro's Carpenter at Work
ca. 1815
John Baverstock Knight The Beach at Charmouth
John Baverstock Knight, 1785–1859
The Beach at Charmouth
undated
James Miller A Christening at the Vatican with Swiss Papal Guard, etc.
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated