Collection: Prints and Drawings / Genre: literary theme / Subject Terms: women

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

William Greatbach, Born 1802

Falstaff and his Friends

ca. 1868

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Michael "Angelo" Rooker, 1746–1801

Illustration to Beaumont and Fletcher

undated

Richard Westall, 1765–1836

Greatheart's Battle with Grim

undated

Robert Smirke, 1752–1845

Falstaff in the Boar's Head

1807

Sir David Wilkie, 1785–1841

A Scene from "The Abbot"

1833

George Augustus Sala, 1828–1895

Mefistofile II

1880

Edward Burne-Jones, 1833–1898

Study for The Wedding Feast of Sir Degrevaunt

undated

Edward Burne-Jones, 1833–1898

The Land of Beulah

1881

James Northcote, 1746–1831

Macbeth and the Witches

between 1777 and 1778

unknown artist

Illustration to Tonson's Ovid Metamorphis (four of four)

ca. 1710

Robert Smirke, 1752–1845

Lysander Awakening to See Helena

1825

Print made by John Faber the Younger, ca. 1695–1756

Kitty Clive as Lady Easy in "The Careless Husband"

1739

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Valentine Green, 1739–1813

Pamela and Philoclea

ca. 1777

Julius Caesar Ibbetson, 1759–1817

Title page for "The Guardian"

undated

unknown artist

Shakespeare Illustration: "Measure for Measure"

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

undated

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Robert Smirke, 1752–1845

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Robert Smirke, 1752–1845

Virgilia and Volumnia Plead with Coriolanus

ca. 1795

Robert Smirke, 1752–1845

Taming of the Shrew

1821

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807

Scene from the play, "The Careless Husband"

undated

David Jones, 1895–1974

Sir Gareth and Lady Lionesse

ca. 1940

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

James Gillray, 1756–1815

Sophia, Honour, and the Chambermaid

1780

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

John Massey Wright, 1777–1866

The Rustics Perform from "A Midsummer Night's Dream"

undated

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745