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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
John Constable Mary Constable Reading
John Constable, 1776–1837
Mary Constable Reading
1812
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
undated
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
James Gillray A London Street Crier
James Gillray, 1756–1815
A London Street Crier
undated
William Hamilton Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
John Hoppner Study of a Seated Woman
John Hoppner, 1758–1810
Study of a Seated Woman
undated
Julius Caesar Ibbetson Study of a Woman Seated on a Horse
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
Julius Caesar Ibbetson Woodcutter and His Family
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
undated
Samuel Howitt Riders Outside an Inn
Samuel Howitt, 1756–1822
Riders Outside an Inn
undated
Samuel Jackson Romantic Landscape
Samuel Jackson, 1794–1869
Romantic Landscape
ca. 1830
John Frederick Lewis A Greek Girl Standing on a Balcony
John Frederick Lewis, 1804–1876
A Greek Girl Standing on a Balcony
1840
Inigo Jones Three Half-Length Figures
Inigo Jones, 1573–1652
Three Half-Length Figures
undated
William Henry Hunt Portrait Study of a Girl
William Henry Hunt, 1790–1864
Portrait Study of a Girl
ca. 1823
Hubert-François Gravelot Study of a Seated Lady
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740
William Hamilton Miss Charlotte Sandby
William Hamilton, 1751–1801
Miss Charlotte Sandby
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844
Faust and Margaret
undated
Henry Towneley Green Beside the Lily-Pond
Henry Towneley Green, 1836–1899
Beside the Lily-Pond
1869
Francis Hayman A Study for "Seeing -- La Vue" ( One of the Five Senses)
Francis Hayman, 1707/8–1776
A Study for "Seeing -- La Vue" ( One of the Five Senses)
undated
Sir George Hayter Portrait Study of Martha, Lady Hayter
Sir George Hayter, 1792–1871
Portrait Study of Martha, Lady Hayter
1863
Sir George Hayter A Minuet
Sir George Hayter, 1792–1871
A Minuet
1824
Sir George Hayter Studies of Woman and Greyhound
Sir George Hayter, 1792–1871
Studies of Woman and Greyhound
undated
John Samuel Hayward A Young Woman Looking Down
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
Samuel Howitt A Goose and a Baboon
Samuel Howitt, 1756–1822
A Goose and a Baboon
undated
Angelica Kauffmann Portrait of a Lady
Attributed to Angelica Kauffmann, 1741–1807
Portrait of a Lady
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
Ozias Humphry Mrs. James Paine, Newman Street
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
John Linnell Mrs. William Wilberforce and Child
John Linnell, 1792–1882
Mrs. William Wilberforce and Child
1824
Ozias Humphry Countess Poulett
Ozias Humphry, 1742–1810
Countess Poulett
undated
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
Ozias Humphry Study of the Artist's Mother Sewing
Ozias Humphry, 1742–1810
Study of the Artist's Mother Sewing
ca. 1776
William Henry Hunt A Lady Reading
William Henry Hunt, 1790–1864
A Lady Reading
ca. 1835
Moses Haughton Jr. A Young Country Couple
Moses Haughton Jr., 1772–1848
A Young Country Couple
undated
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
Sir Francis Grant A Lady Painting
Sir Francis Grant, 1803–1878
A Lady Painting
1837
William Havell Pale Melancholy
William Havell, 1782–1857
Pale Melancholy
ca. 1804
Benjamin Robert Haydon The Banishment of Aristides
Benjamin Robert Haydon, 1786–1846
The Banishment of Aristides
undated
William Henry Hunt Old Farm Buildings
William Henry Hunt, 1790–1864
Old Farm Buildings
ca. 1817
George Cooke Florence, from Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
George Cooke Florence, from Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
J. C. Varrall Valle Crucis Abbey, Denbighshire
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
Willey Reveley Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
Willey Reveley, 1760–1799
Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
ca. 1785
Willey Reveley Views in the Levant: Study of a Woman Wearing Turkish Costume
Willey Reveley, 1760–1799
Views in the Levant: Study of a Woman Wearing Turkish Costume
ca. 1785
Thomas Talbot Bury The Royal Naval School at New Cross
Print made by Thomas Talbot Bury, 1811–1877
The Royal Naval School at New Cross
undated
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Francesco Bartolozzi Ticket: Walker's Lectures
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Walker's Lectures
1794
Francesco Bartolozzi Medallions of F. Hutcheson and L. Natter
Print made by Francesco Bartolozzi, 1728–1815
Medallions of F. Hutcheson and L. Natter
1780
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827