Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
19
Joseph Mallord William Turner, 1775–1851
Shipping Scene, with Fishermen
between 1815 and 1820
20
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
21
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
22
Edward Lear, 1812–1888
A Country House
ca. 1834
23
Edward Lear, 1812–1888
Turin, Italy
after 1872
24
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
25
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
26
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
27
Edward Lear, 1812–1888
Albania
between 1848 and 1849
28
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
29
Edward Lear, 1812–1888
Memphis
1867
30
George Romney, 1734–1802
Satan Presiding over Hell
undated
31
George Romney, 1734–1802
Muscious Scaevola
undated
32
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
undated
33
George Romney, 1734–1802
David before Saul
undated
34
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
35
George Romney, 1734–1802
Possibly a Fight Scene
undated
36
George Romney, 1734–1802
Prison Scene
undated
37
George Romney, 1734–1802
Howard Visiting a Prison
undated
38
George Romney, 1734–1802
Two Children Embracing
undated
39
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
40
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
41
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
42
George Romney, 1734–1802
Three Young Witches
undated
43
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
44
George Romney, 1734–1802
Mythological Group of Women and Children
undated
45
George Romney, 1734–1802
Studies of a Seated Woman
undated
46
George Romney, 1734–1802
David Playing the Harp
undated
47
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
48
George Romney, 1734–1802
[Small Sketchbook]
1784
49
George Romney, 1734–1802
Prostrate Woman
undated
50
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
51
George Romney, 1734–1802
Samson Overpowered
undated
52
George Romney, 1734–1802
Noah's Children Rejoicing
undated
53
George Romney, 1734–1802
Female Figures
undated
54
George Romney, 1734–1802
Slight Group of Figures
undated
55
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
56
George Romney, 1734–1802
Landscape with a Leaning Tree
undated
57
George Romney, 1734–1802
Mother and Son
undated
58
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
59
George Romney, 1734–1802
Standing Male Figure
undated
60
George Romney, 1734–1802
[Small Sketchbook]
1784
61
George Romney, 1734–1802
[Small Sketchbook]
1784
62
George Romney, 1734–1802
[Small Sketchbook]
1784
63
George Romney, 1734–1802
[Small Sketchbook]
1784
64
George Romney, 1734–1802
[Small Sketchbook]
1784
65
George Romney, 1734–1802
[Small Sketchbook]
1784
66
George Romney, 1734–1802
[Small Sketchbook]
1784
67
George Romney, 1734–1802
[Small Sketchbook]
1784
68
George Romney, 1734–1802
[Small Sketchbook]
1784
69
George Romney, 1734–1802
[Small Sketchbook]
1784
70
George Romney, 1734–1802
[Small Sketchbook]
1784
71
George Romney, 1734–1802
[Small Sketchbook]
1784
72
George Romney, 1734–1802
[Small Sketchbook]
1784
73
George Romney, 1734–1802
[Small Sketchbook]
1784
74
George Romney, 1734–1802
[Small Sketchbook]
1784
75
George Romney, 1734–1802
[Small Sketchbook]
1784
76
George Romney, 1734–1802
[Small Sketchbook]
1784
77
George Romney, 1734–1802
Seated Woman
undated
78
George Romney, 1734–1802
Pamela
undated
79
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
80
Richard Parkes Bonington, 1802–1828
A Seascape
undated
81
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
82
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
83
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
84
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
85
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
86
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
87
William Blake Richmond, 1842–1921
Portrait of a Gentleman
undated
88
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
89
Thomas Carwitham, active 1723
Figure studies
1723
90
unknown artist
Plymouth Harbor
undated
91
unknown artist
Crossing the Bridge
early 19th century
92
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
93
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
94
Attributed to William Ward, 1766–1826
View of the Britannia
undated
95
Sir David Wilkie, 1785–1841
Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
1833
96
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
97
Coplestone Warre Bampfylde, 1719–1791
Crowcombe Court: a gentleman with his dog walking by the river