To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
2
Print made by Charles Howard Hodges, 1764–1837
Lady Dashwood & Child
1785
3
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
4
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
5
Print made by Caroline Watson, 1760–1814
Contemplation
1790
6
Print made by Caroline Watson, 1760–1814
Contemplation
1790
7
Print made by John Jones, ca. 1745–1797
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
1790
8
Print made by John Jones, ca. 1745–1797
Lady Gertrude Fitzpatrick as Sylvia
1791
9
Print made by Caroline Watson, 1760–1814
Prince William Frederick of Gloucester
1784
10
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
11
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
12
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
13
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
14
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberries
1795
15
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
16
Print made by John Jones, ca. 1745–1797
The Girl Sleeping
1790
17
Print made by John Jones, ca. 1745–1797
Robinetta
1787
18
Print made by Caroline Watson, 1760–1814
Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
1785
19
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
20
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
21
Print made by Caroline Watson, 1760–1814
Portrait of Mrs. Elizabeth Stanhope
1790
22
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
23
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
24
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
25
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
26
Joseph Collyer, 1748–1827
Miss Mary Palmer
1785
27
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
28
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
29
Luigi Schiavonetti, 1765–1810
Milk Below Maids
1793
30
Giovanni Vendramini, 1769–1839
Fresh gathered Peas. Young Hastings
1795
31
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
32
Print made by Joseph Constantine Stadler, active 1780–1812
The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812
1800
33
Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China!
1794
34
Print made by John Raphael Smith, 1752–1812
Lady Hamilton as 'Nature'
1784
35
Print made by John Robert Cozens, 1752–1797
Willow
1789
36
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
37
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
38
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
39
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
40
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
41
Print made by Charles Catton the elder RA, 1728–1798
The Margate Hoy
1785
42
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
43
Print made by Robert Pollard, 1755–1838
View of Hanover Square
1787
44
Robert Pollard, 1755–1838
View of Grosvenor Square
1789
45
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
46
Robert Dodd, 1748–1816
Howe's Victory off Ushant
1795
47
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
48
Peltro W. Tomkins, 1760–1840
Encampment at Fornham near St. Edmund's Bury
1782
49
Richard Livesay, 1753–1826
Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798
1799
50
Thomas Malton the Younger, 1748–1804
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
51
Print made by Robert Pollard, 1755–1838
The Distress'd Situation of the Dutton East Indiaman
1796
52
Print made by Thomas Malton the Younger, 1748–1804
The Bank
1781
53
James Gillray, 1756–1815
Presages of the Millenium
1795
54
Thomas Malton, 1726–1801
Lleweney Bleach Works
1798
55
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
56
unknown artist
Visit to the Convent at Amiens
1803
57
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
58
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
59
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
60
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
61
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
62
Robert Pollard, 1755–1838
Vaux-Hall
1785
63
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
64
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
65
William Ellis, 1747–1810
The New Meeting
1792
66
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
67
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
68
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
69
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
70
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
71
Charles Tomkins, 1757–1823
Encampment at Farnham near St. Edmund's Bury
1782
72
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
73
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
74
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
75
William Ellis, 1747–1810
Beddington
1792
76
Marie C. Prestel, 1747–1794
A Country Churchyard. Verse from Gray's Elegy
1790
77
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
78
Thomas Malton the Younger, 1748–1804
Jesus College in the University of Cambridge
1799
79
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
80
Thomas Malton the Younger, 1748–1804
Cambridge University: Emmanuel College
1799
81
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
82
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
83
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
84
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
85
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
86
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
87
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
88
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
89
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
90
unknown artist
North Front of the Bank
1797
91
unknown artist
South Front of the Bank
1798
92
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
93
Robert Pollard, 1755–1838
View of Bloomsbury Square
1787
94
Joseph Constantine Stadler, active 1780–1812
Battersea, Chelsea and London from Mr. Rucker's Villa
1795
95
Richard Cooper the Younger, 1740–1814
The Procession of the Knights of the Most Noble Order of the Garter
1782
96
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
97
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
98
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
99
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
100
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)