Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
402
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
403
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
404
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
405
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
406
Edward Lear, 1812–1888
A Weasel
1832
407
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
408
Edward Lear, 1812–1888
Catania
1847
409
Edward Lear, 1812–1888
Jericho, 7 May 1858
1858
410
Edward Lear, 1812–1888
Oasis Village
1854
411
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
412
Edward Lear, 1812–1888
Turin, Italy
after 1872
413
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
414
Edward Lear, 1812–1888
New Harbour, Malta
1866
415
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
416
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
417
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
418
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
419
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
420
Print made by William Blake, 1757–1827
Pity
ca. 1795
421
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
422
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
423
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
424
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
425
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
426
George Romney, 1734–1802
The Bath of Bath-sheba
undated
427
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
428
George Romney, 1734–1802
Mythological Group of Women and Children
undated
429
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
430
George Romney, 1734–1802
River God
undated
431
George Romney, 1734–1802
Borghese Gladiator
undated
432
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
433
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
434
George Romney, 1734–1802
Howard Visiting a Prison
undated
435
George Romney, 1734–1802
Prison Scene
undated
436
George Romney, 1734–1802
Howard Visiting a Prison
undated
437
George Romney, 1734–1802
Howard Visiting a Prison
undated
438
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
439
George Romney, 1734–1802
Two studies for a male portrait
undated
440
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
441
George Romney, 1734–1802
Captive or Dejected Woman: Possibly Andromache
undated
442
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
443
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
444
George Romney, 1734–1802
John Henderson as Falstaff
1780
445
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Trees Alongside a River with Buildings in the Distance
446
Paul Sandby, 1731–1809
Ipswich from the Grounds of Christchurch Mansion
undated
447
Peter La Cave, active 1769–1810
Haymakers
undated
448
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
449
George Robertson, 1749–1788
Colosseum, Rome, with Arch to the Left
after 1770
450
George Robertson, 1749–1788
The Colosseum, Rome
undated
451
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
452
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
453
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
454
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
455
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
456
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
457
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
458
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
459
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
460
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
461
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
462
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
463
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
464
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
465
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
466
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
467
John Thomas Smith, 1766–1833
The Smock Exposed
1817
468
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
469
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
470
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
471
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
472
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
473
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
474
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
475
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
476
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
477
Paul Sandby, 1731–1809
Landscape with a Milk Maid and a Beau
undated
478
Paul Sandby, 1731–1809
Musicians and a Performing Bear
undated
479
Benjamin West, 1738–1820
Page Boy Asleep
undated
480
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
481
unknown artist
The Virtuous Family
ca. 1790
482
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
483
Thomas Sunderland, 1744–1828
West Window of Tintern Abbey
undated
484
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
485
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
486
Ensign Caldwell, c.1800
Prince of Wales Island, Penang
undated
487
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
488
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
489
Sir Robert Ker Porter, 1777–1842
A French Dragoon
ca. 1810
490
Sir Robert Ker Porter, 1777–1842
A British Officer of the Staff and an Officer of Hussars
1810
491
Sir Robert Ker Porter, 1777–1842
An Uralsky Cossack
1810
492
Sir Robert Ker Porter, 1777–1842
Military of the Peninsular War
1810
493
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
494
William Payne, active 1850s
Britten Ferry, Mount Edgecombe
undated
495
Paul Sandby, 1731–1809
Romantic Landscape - Peasants at the Foot of a Castle on a Crag
undated
496
Willem van de Velde the Younger, 1633–1707
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
497
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Building with Turret at One End