As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
2
Francesco Bartolozzi, 1728–1815
Cordelia
1784
3
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
4
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
5
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
6
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
7
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
8
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
9
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
10
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
11
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
12
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
13
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
14
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
15
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
16
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
17
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
18
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
19
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
20
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
21
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
22
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
23
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
24
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
25
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
26
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
27
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
28
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
29
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
30
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
31
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
32
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
33
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
34
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
35
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
36
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
37
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
38
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
39
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
40
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
41
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
42
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
43
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
44
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
45
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
46
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
47
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
48
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
49
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
50
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
51
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
52
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
53
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
54
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
55
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
56
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
57
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
58
Print made by Richard Hamilton, 1922–2011
How a Great Daily Organ is Turned Out
1990
59
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
60
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
61
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II