The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
7
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
8
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
9
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
10
Philippe Mercier, 1689 or 1691–1760
The Sense of Sight
1744 to 1747
Not on view
11
Francis Wheatley, 1747–1801
Noon
1799
Not on view
12
Francis Wheatley, 1747–1801
Evening
1799
Not on view
13
Albert Joseph Moore, 1841–1893
A Musician
ca. 1867
Not on view
14
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
15
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
16
Walter Richard Sickert, 1860–1942
The Taming of the Shrew
ca. 1937
Not on view
17
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
18
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
19
William Redmore Bigg, 1755–1828
Birth of the Heir
ca. 1799
Not on view
20
John Collet, ca. 1725–1780
Scene in a London Street
1770
Not on view
21
Agostino Brunias, 1728–1796
Free West Indian Dominicans
ca. 1770
Not on view
22
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
23
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
24
Thomas Gainsborough, 1727–1788
The Gravenor Family
ca. 1754
Not on view
25
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
26
unknown artist
A Family Being Served with Tea, possibly the Carter family
ca. 1745
Not on view
27
unknown artist
The Bell Tower of Evesham
ca. 1795
Not on view
28
John Laguerre, 1688–1746
Hob Continues Dancing in Spite of his Father
ca. 1725
Not on view
29
John Laguerre, 1688–1746
Hob's Defence
ca. 1725
Not on view
30
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
31
Edward Penny, 1714–1791
The Virtuous Comforted by Sympathy
1774
Not on view
32
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
33
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
34
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
35
George Romney, 1734–1802
Ladies in Waiting
undated
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
42
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
43
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
45
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
50
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
52
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
53
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
54
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
55
Thomas Heaphy, 1775–1835
Inattention
1808
56
Paul Sandby, 1731–1809
A Good-bye
undated
57
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
58
George Morland, 1763–1804
Peasants in a Grotto
undated
59
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
60
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
61
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
62
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
63
Sir George Howland Beaumont seventh Baronet, 1753–1827
Two Figures with a Skull
undated
64
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
65
unknown artist
Lake Maggiore
ca. 1850
66
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
67
Peter Oliver, 1589–1647
Venus and Adonis
1631
68
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
69
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
70
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
71
John Vanderbank, 1694–1739
Conversation Piece
undated
72
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
73
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
74
Print made by John Faber the Younger, ca. 1695–1756
Prodigal Son with Harlots
undated
75
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
76
Thomas Rowlandson, 1756–1827
Gardening
undated
77
Print made by Robert Sargent Austin, 1895–1973
Four Friends
1947
78
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
79
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
80
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
81
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
82
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
83
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
84
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
85
Print made by Matthew Darly, active 1754–1778
The Preposterous Head Dress, or the Feathered Lady
1776
86
Print made by unknown artist
The Methodist Tailor Caught in Adultery
1768
87
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
88
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
89
Print made by David Allan, 1744–1796
Peggy and Patie
1808
90
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming