De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
7
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
8
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
9
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
10
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
11
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
12
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
13
James Gwin, 1700–1769
Troisieme Position du Salut
1763
14
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
15
James Gwin, 1700–1769
Seconde Position du Salut
1763
16
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
17
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
18
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
19
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
20
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
21
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
22
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
23
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
24
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
25
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
26
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
27
James Gwin, 1700–1769
Premiere Position du Salut
1763
28
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
29
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
30
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
31
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
32
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
33
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
34
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
35
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
36
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
37
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
38
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
39
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
40
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
41
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
42
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
43
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
44
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
45
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
46
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
47
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
48
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
49
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
50
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
51
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
52
Robert Dighton, 1752–1814
A Country Amusement - Bull Baiting
undated
53
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
54
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
55
Susannah Wales, Lady Malet, 1779–1868
A Cheetah Hunting Party with Charles Warre Malet
undated
56
Robert Dighton, 1752–1814
Modern Exercise
undated
57
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
58
Gangaram Chintaman Tambat, active 1790s
Jeytie Lifting Weights
undated
59
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
60
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
61
William Jefferys, 1730–ca. 1805
Maidstone, Kent
undated
62
Gangaram Chintaman Tambat, active 1790s
Three Jeyties Exercising
ca. 1792
63
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
64
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
65
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
66
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
67
Samuel Howitt, 1756–1822
The Kill
1792
68
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
69
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
70
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
71
Lionel Edwards, 1878–1966
The Quorn towards Ashby de la Zouch, Leicestershire
1919
72
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
73
James Seymour, 1702–1752
The Famous Childers
undated
74
unknown artist
Mid-Day
1799
75
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
76
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
77
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
78
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
79
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
80
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
81
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
82
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
83
James Seymour, 1702–1752
Foxhunting
undated
84
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
85
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
86
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
87
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
88
James Seymour, 1702–1752
Victorious
undated
89
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
90
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
91
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
92
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
93
Samuel Howitt, 1756–1822
The Check
undated
94
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
95
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
96
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs