Materials & Techniques: brown ink and gray wash / Period: 19th century

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

Samuel Palmer, 1805–1881

A Shepherd and his Flock under the Moon and Stars

ca. 1827

Samuel Palmer, 1805–1881

The Primitive Cottage, Shoreham

undated

John Constable, 1776–1837

Trees and Deer

1825

Edward Lear, 1812–1888

Wady Feiran, Peninsula of Mt. Sinai

ca. 1880

Thomas Sunderland, 1744–1828

Landscape at Ambleside

ca. 1800

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

Henry William Burgess, active 1809–1860

Interior of a Coppersmith's, Shoe Lane

undated

Alfred Edward Chalon, 1780–1860

Cleopatra on the Cydnus to Meet Antony

ca. 1821

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

unknown artist

Scarborough

undated

John Baverstock Knight, 1785–1859

Tree Study

undated

unknown artist

Bombie Mill, Bombie, Tongue of Bombie

undated

unknown artist

Palmangan

undated

unknown artist

The Farm

undated

unknown artist

Whinny Liggate; Balgredan

undated

John Martin, 1789–1854

The Walls of Jericho

1834

Augustus Welby Northmore Pugin, 1812–1852

Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

1838

Augustus Welby Northmore Pugin, 1812–1852

Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

1838

Sir David Wilkie, 1785–1841

Scene from Quentin Durward

1833

unknown artist

Copy of a Study for a Ceiling Decoration

undated

Hugh William "Grecian" Williams, 1773–1829

Wychwood Forest

1806

attributed to William Henry Hunt, 1790–1864

Beauvais

ca. 1831

Joseph Wolf, 1820–1899

The Mansion House, London: Elevation

undated

James Ward, 1769–1859

Snowdon, an Approaching Storm

1853

Henry Fuseli, 1741–1825

Study for 'Finding of the Body of Bassanio'

1804

Capt. Thomas Hastings, 1778–1854

38 Sketches in Cumberland, Westmoreland, etc

1834 to 1846

Walter Geikie, 1795–1837

Humorous Family Scene

undated

Sir John Gilbert, 1817–1897

Wayfarers

undated

William Henry Hunt, 1790–1864

The Building of Waterloo Bridge

ca. 1816

unknown artist

Kirkeoch, Nun Mill

undated

Sir Charles D'Oyly, 1781–1845

Totnes from the Seymour Hotel

1838

Henry Greaves, 1850–1900

Cheyne Walk, Old Chelsea

1861

Henry Greaves, 1850–1900

Queen Anne's Court, Cheyne Walk, Chelsea

1874

Charles Samuel Keene, 1823–1891

Street Scene

undated

Edward Francis Burney, 1760–1848

Illustration for The New Doll: Sewing Clothes for the Doll

1825