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Materials & Techniques brown ink

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Collection Prints and Drawings

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Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
George Jones Portentous Things
George Jones, 1786–1869
Portentous Things
undated
Theodor von Holst Sheet of Sketches
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
James Northcote Macbeth and the Witches
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845
Prospero and Ariel
1821
John Massey Wright The Rustics Perform from "A Midsummer Night's Dream"
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
John Michael Rysbrack Illustration to the Iliad
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Procris and Cephalus
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth Stabbing Duncan
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
unknown artist Venus and Cupid
unknown artist
Venus and Cupid
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
Sir David Wilkie A Scene from "The Abbot"
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
Thomas Carwitham The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
John Doyle ('H.B.') A Scene From the Farce of "The Critic," a Little Altered.
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
John Doyle ('H.B.') Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
Print made by John Doyle ('H.B.'), 1797–1868
Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
1847
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
Robert Smirke Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845
Olivia and Maria
1822
Florence Claxton L'Allegro
Florence Claxton, active 1855–1889
L'Allegro
undated
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
unknown artist Mrs. Yates in the Character of Medea
unknown artist
Mrs. Yates in the Character of Medea
after 1771
Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)
Abraham van Diepenbeeck, 1596–1675
Doctor Ass (A Satire on the Law)
undated
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
unknown artist Hudibras and Rolpho
unknown artist
Hudibras and Rolpho
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Chinnery Illustration to Fielding's Amelia
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
undated
Joshua Cristall Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated