Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 28 / Classification: Prints

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by Robert Wallis, 1794–1878

William Tell's Chapel (vignette)

1830

Print made by Edward Goodall, 1795–1870

Galileo's Villa (vignette)

1830

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford (small replica)

1828

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870

A Village Fair

1834

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Josiah Henshall, 1806–1869

The Forum Romanum

1830

Print made by Robert Brandard, 1805–1862

Château de Tancarville with Town of Quilleboeuf

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Robert Brandard, 1805–1862

Rouen, looking up the river

1834

Print made by William Miller, 1796–1882

Rouen, looking down the river

1834

Print made by William Miller, 1796–1882

Rouen, from St. Catherine's Hill

1834

Print made by James T. Willmore, 1800–1863

Vernon

1835

Print made by William Radclyffe, 1780–1855

Bridge of St. Cloud & Sevres

1835

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Edward Goodall, 1795–1870

Columbus Setting Sail

1834

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by Robert Brandard, 1805–1862

View on the Seine between Mantes and Vernon

1835

Print made by James Baylis Allen, 1803–1876

St. Germains

1835

Print made by Edward Francis Finden, 1791–1857

Bridge of St. Cloud from Sevres

1835

Print made by James T. Willmore, 1800–1863

The Lanterne of St. Cloud

1835

Print made by S. Fisher, active 1831–1844

Saint Denis

1835

Print made by Pierre de Bailliu the elder, 1613–after 1660

Anthonius Bourbonius

ca. 1635

Print made by Jacobus Neeffs, 1610–after 1660

Maria Margareta de Barlemont

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674

Ioannes T'Serclaes

ca. 1635

Print made by James T. Willmore, 1800–1863

The Old Téméraire

1845

Charles Grignion, 1717–1810

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819

Now Sir, You're a Complete Macaroni

1772

Print made by Charles Turner, 1774–1857

Okehampton Castle, on the River Okement

1825

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by George Cooke, 1781–1834

Gledhow

1820

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1823

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by John Le Keux, 1783–1846

Simmer Lake, near Askrig

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Thomas Jeavons, ca. 1800–1867

Devonport and Dockyard, Devonshire

1830

Print made by Robert Brandard, 1805–1862

Dustanborough Castle

1830

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by James Baylis Allen, 1803–1876

Stoneyhurst, Lancashire

1830

Print made by Robert Brandard, 1805–1862

Gosport, Entrance to Portsmouth Harbor

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge

1832

Print made by John Horsburgh, 1791–1869

Malvern Abbey and Gate, Worcestershire

1832

Print made by unknown artist

Coventry

1833

Print made by John Horsburgh, 1791–1869

Laugharne Castle

1833

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by J. C. Varrall, active 1815–1827

Rochester, Stroud and Chatham

1838

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by J. C. Varrall, active 1815–1827

Rochester, Stroud and Chatham

1838

Print made by S. Fisher, active 1831–1844

Mount St. Michael, Cornwall

1838

Print made by George Vertue, 1684–1756

King Henry VII and Elizabeth of York, Queen of England

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by George Cooke, 1781–1834

Critchton Castle

1819

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 28

Classification Prints

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 28

Classification Prints

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