Materials & Techniques: line engraving / On-site Access: Accessible by appointment in the Study Room / Genre: landscape / Image Available: Available / Width [cm]: 20

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by James Walker, 1748–1808

Ely

1797

Print made by James Walker, 1748–1808

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808

Peterborough

1796

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by John Landseer, 1769–1852

Shanklin Castle

1799

Print made by William Miller, 1796–1882

Dumbarton Castle

1834

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by William Richardson, active 1842–1877

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by Henry Le Keux, 1787–1868

Loch Coriskin

1834

Print made by William Miller, 1796–1882

Berwick on Tweed

1834

Print attributed to B. R. Davies, active ca. 1833

Mount Blanc

ca. 1828

Print made by Edward Francis Finden, 1791–1857

The Castle Rhine

1832-1834

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by William Miller, 1796–1882

Dryburgh

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by Henry Le Keux, 1787–1868

Loch Coriskin

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Angus, 1752–1821

Fonthill House, Wiltshire

1800

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by William Angus, 1752–1821

Fonthill House in Wiltshire, the Seat of William Beckford Esqr

1800

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by Henry Le Keux, 1787–1868

Loch Coriskin

1834

Print made by Frederick Christian Lewis the Elder, 1779–1856

New Weir on the Wye

1825

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

Print made by Thomas Crostick, active ca. 1828

Fonthill

1828

Print made by William Miller, 1796–1882

Palace of LaBelle Gabrielle

1826-1837

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Michael "Angelo" Rooker, 1746–1801

Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart

1775

Print made by Charles Rolls, 1800–active 1830

The Wayside in Italy

ca. 1883

Print made by Michael "Angelo" Rooker, 1746–1801

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

1775

Print made by Michael "Angelo" Rooker, 1746–1801

N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

1776

Print made by Michael "Angelo" Rooker, 1746–1801

A View of Charlton near Woolwich in Kent

1775

Print made by unknown artist

View of Lucknow

ca. 1860

Print made by George Presbury, active 1840

Runjeet Singh and His Suwarree, or Cavalcade of Seiks

1837

Print made by T. Kelly, active ca. 1837

Devotees in India Sacrificing Themselves to the Idol Juggernaut

1837

Print made by William Walker, 1729–1793

Scene in the East Indies

1782

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Genre landscape

Image Available Available

Width [cm] 20

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Materials & Techniques line engraving

On-site Access Accessible by appointment in the Study Room

Genre landscape

Image Available Available

Width [cm] 20

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