Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
3
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
4
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
5
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
6
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
7
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
8
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
9
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
10
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
11
Francesco Bartolozzi, 1728–1815
Cordelia
1784
12
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
13
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
14
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
15
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
16
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
17
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
18
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
19
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
20
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
21
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
22
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
23
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
24
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
25
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
26
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
27
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
28
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
29
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
30
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
31
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
32
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
33
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
34
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
35
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
36
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
37
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
38
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
39
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
40
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
41
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
42
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
43
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
44
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
45
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
46
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
47
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
48
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
49
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
50
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
51
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
52
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
53
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
54
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
55
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
56
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to