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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms woman

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Search Results

Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
John Martin Landscape with Courting Couple
John Martin, 1789–1854
Landscape with Courting Couple
1839
Sir John Everett Millais Accepted
Sir John Everett Millais, 1829–1896
Accepted
1853
Sir John Everett Millais A Woman Bowed in Grief
Sir John Everett Millais, 1829–1896
A Woman Bowed in Grief
ca. 1857
William Marlow A Street in Florence with the Duomo and Campanile in the Background
William Marlow, 1740–1813
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
George John Pinwell Study for "The Goose", 1867: Interior of a Barn
George John Pinwell, 1842–1875
Study for "The Goose", 1867: Interior of a Barn
1866
Ambrose Poynter Sketches from Life in Paris: Woman and Man Carrying Buckets
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Woman and Man Carrying Buckets
ca. 1835
unknown artist Seated Woman
unknown artist
Seated Woman
undated
unknown artist Caricature of Three Blacks
unknown artist
Caricature of Three Blacks
undated
unknown artist Woman with Child
unknown artist
Woman with Child
undated
unknown artist Man on Horse, with Pigs
unknown artist
Man on Horse, with Pigs
undated
unknown artist Lady
unknown artist
Lady
undated
unknown artist Lady with a Veil
unknown artist
Lady with a Veil
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
Henry Towneley Green Beside the Lily-Pond
Henry Towneley Green, 1836–1899
Beside the Lily-Pond
1869
Sir George Hayter Portrait Study of Martha, Lady Hayter
Sir George Hayter, 1792–1871
Portrait Study of Martha, Lady Hayter
1863
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
Samuel Howitt A Goose and a Baboon
Samuel Howitt, 1756–1822
A Goose and a Baboon
undated
John Frederick Lewis A Greek Girl Standing on a Balcony
John Frederick Lewis, 1804–1876
A Greek Girl Standing on a Balcony
1840
William Henry Hunt Portrait Study of a Girl
William Henry Hunt, 1790–1864
Portrait Study of a Girl
ca. 1823
Sir Francis Grant A Lady Painting
Sir Francis Grant, 1803–1878
A Lady Painting
1837
Julius Caesar Ibbetson Study of a Woman Seated on a Horse
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
Julius Caesar Ibbetson Woodcutter and His Family
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
undated
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
Samuel Jackson Romantic Landscape
Samuel Jackson, 1794–1869
Romantic Landscape
ca. 1830
Hubert-François Gravelot Study of a Seated Lady
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740
James Gillray A London Street Crier
James Gillray, 1756–1815
A London Street Crier
undated
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844
Faust and Margaret
undated
Ozias Humphry Countess Poulett
Ozias Humphry, 1742–1810
Countess Poulett
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
Ozias Humphry Mrs. James Paine, Newman Street
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
William Henry Hunt A Lady Reading
William Henry Hunt, 1790–1864
A Lady Reading
ca. 1835
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
William Henry Pyne Cottage and Foot Bridge
William Henry Pyne, 1769–1843
Cottage and Foot Bridge
1794
William Henry Pyne Poulterer's Shop
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
unknown artist Woman with Square Hat
unknown artist
Woman with Square Hat
undated
unknown artist Design for a Country House
unknown artist
Design for a Country House
ca. 1840
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
Isaac Oliver Woman's Head Inclined to the Right
Isaac Oliver, ca. 1565–1617
Woman's Head Inclined to the Right
undated
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
unknown artist Woman Carrying Baskets
unknown artist
Woman Carrying Baskets
undated
William Daniell Druidical Stone at Strather, near Barvas, Isle of Lewis
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
James Pollard The Meat Market
James Pollard, 1792–1867
The Meat Market
undated
James Pollard The Poultry Market
James Pollard, 1792–1867
The Poultry Market
undated
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Henry Pierce Bone Incantation Scene
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
John Downman Mrs. Ives of Catton
John Downman, 1750–1824
Mrs. Ives of Catton
1780
Richard Westall A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
William Mulready Denial and Disappointment
William Mulready, 1786–1863
Denial and Disappointment
undated
Samuel Prout The Monnow Bridge, Monmouthshire
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Richard Parkes Bonington Study of a Woman with her Head on her Hand
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
Alfred Edward Chalon A Dancer
Alfred Edward Chalon, 1780–1860
A Dancer
ca. 1836
unknown artist Study of a Seated Woman Holding a Fan
unknown artist
Study of a Seated Woman Holding a Fan
ca. 1740
William John Chamberlayne Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
William John Chamberlayne, 1821–1910
Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
undated
Robert Isaac Cruikshank Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
Thomas Rowlandson Cat Like Courtship
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
George Cruikshank Devoted Wife
George Cruikshank, 1792–1878
Devoted Wife
undated
John Nixon Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
John Nixon, ca. 1760–1818
Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
undated
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
J. C. Varrall Valle Crucis Abbey, Denbighshire
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
Samuel Freeman Iris
Print made by Samuel Freeman, 1773–1857
Iris
1808
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
Philip Dawe The Oyster Woman
Print made by Philip Dawe, ca.1750–ca.1790
The Oyster Woman
1769