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Remove constraint Materials & Techniques: wove paperDate 1827
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1
- Study for "The Golden Age"
- 1827
2
- Sky Study with Rainbow
- 1827
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Carlisle
- ca. 1832
5
- Entrance to the Port of Marseille
- undated
6
- People on the Road Near Kalicut, Malabar
- undated
7
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
8
- Venice, the Doge's Palace
- undated
9
- English Country Town
- undated
10
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
11
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
12
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
13
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
14
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
15
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
16
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
17
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
18
- The Bridge at Llangollen
- undated
19
- Advanced Guard - Sunrise
- ca. 1832
20
- Music: Composition in a Garden
- ca. 1832
21
- Shepherd and Shepherdess by Moonlight
- undated
22
- The Fortune Teller
- 1827
23
- Study of a Cottage by a lane
- undated
24
- Farm Buildings
- undated
25
- A Mountain Torrent
- undated
26
- Study of a Rustic Interior Scene
- undated
27
- The Bridge
- undated
28
- Study of a Gentleman in 17th Century Costume
- between 1827 and 1828
29
- St. Maurice (vignette)
- 1827
30
- Buckfastleigh Abbey, Devonshire
- 1827
31
- Temple of Minerva, Cape Colonna
- ca. 1832
32
- Old London Bridge and Vicinity
- 1827
33
- Trees and a Cottage by a River
- 1827
34
- Sketch of Boatmen on the Shore, Ships in the Distance
- 1827
35
- A Capriccio of Windsor Castle
- 1827
36
- Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
- 1827
37
- River Tamar, near Endsleigh, Devon
- ca. 1832
38
- Sketches of Towns People
- 1827
39
- St. Goarhausen on the Rhine between Koblenz and Mainz
- 1827
40
- The Valley of Lutscheuen
- 1827
41
- The Via Mala
- 1827
42
- Tyrolese Hunters
- between 1827 and 1828
43
- Design for London Bridge Approach
- between 1827 and 1835
44
- Design for London Bridge Approach
- between 1827 and 1835
45
- Althorp Castle, Northamptonshire
- undated
46
- Bishop's Palace, Wells, Somerset: Elevation of the Great Hall
- undated
47
- Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
- undated
48
- Raglan Castle, Monmouthshire, Wales: Details
- undated
49
- Raglan Castle, Monmouthshire, Wales: Preliminary Plan of Dungeon
- undated
50
- Raglan Castle, Monmouthshire, Wales: Preliminary Plan of Tower
- undated
51
- Near Saint Lawrence, Isle of Wight
- 1827
52
- Beaulieu, Hampshire
- 1827
53
- Distant View of Beaulieu, Hampshire
- 1827
54
- Buckler's Hard on Beaulieu River, Hampshire
- 1827
55
- Beaulieu, Hampshire
- 1827
56
- Beaulieu River, Hampshire
- 1827
57
- Beaulieu, Hampshire
- 1827
58
- Bonchurch, Isle of Wight
- 1827
59
- From Lord Henry Seymour's Pier, Isle of Wight
- 1827
60
- East Cowes, Isle of Wight
- 1827
61
- Portsmouth, Hampshire
- 1827
62
- St. Lawrence, Isle of Wight, 19 September 1827
- 1827
63
- West Cowes, Isle of Wight
- 1827
64
- East Cowes Castle, Isle of Wight
- 1827
65
- East Cowes by Moonlight, September 1827
- 1827
66
- Southampton, Hampshire
- 1827
67
- Joshua Commanding the Sun to Stand Still
- 1827
68
- Calais Pier - the English Packet Arriving
- 1827
69
- Florence
- 1827
70
- Design for Inkstand for Westminster No. 1, End Elevation
- undated
71
- Designs for Gothic Tables
- undated
72
- Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
- undated
73
- Interior of a Gothic Church
- undated
74
- Design for Gothic Ornamentation
- undated
75
- Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
- undated
76
- Sketch of the Interior of a Gothic Church
- undated
77
- Bishop's Chapel Bishop Eton (built c. 1845-1850)
- undated
78
- Square in the Village of Los Silos, Tenerife
- 1827
79
- The Custom House
- 1827
80
- The Custom House
- 1827
81
- St. Paul's from Southwark by Sunset
- ca. 1832
82
- Title page for volume of drawings
- undated
83
- Tribunal House, Glastonbury, Somerset: Molding Details
- undated
84
- Raglan Castle, Monmouthshire, Wales: Plan of Hall
- undated
85
- Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
- undated
86
- Extravaganza's of 1827
- 1827
87
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
88
- Malvolio Dancing
- 1827
89
- Hare in a Landscape
- 1827
90
- Ruines de Château d'Arlay
- 1827
91
- Vue Generale des Ruines du Château d'Arlay
- 1827
92
- Croix de Moulin les Planches
- 1827
93
- Campos sur les bords du Rio das Velhas
- 1827
94
- Pierre de Vaivre
- 1827
95
- A Sailing Barge being loaded with Hay, December 1827
- 1827
96
- Miniyeh, (El Minya)
- undated
97
- Young Fisherman
- undated
98
- View from the Round Tower, Windsor Castle
- 1827
99
- La Surprise
- 1827
100
- The Dreams of the Youthful Shakespeare
- 1827