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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Associated Places England

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1. Windsor

Windsor
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1798
Materials & Techniques:
Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Bridgenorth, Shropshire

Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Scene near Shipton on Cherwell, Oxfordshire

Scene near Shipton on Cherwell, Oxfordshire
Creator:
William Turner of Oxford, 1789–1862
Date:
1835
Materials & Techniques:
Watercolor, gouache and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 29 5/8 inches (54.6 x 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. The North-West Porch of Salisbury Cathedral

The North-West Porch of Salisbury Cathedral
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 11 5/8 inches (35.2 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. A View of Boxhill from Norbury Park, Surrey

A View of Boxhill from Norbury Park, Surrey
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1775
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
George Henry Harlow, 1787–1819
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Interior of the New Bedford

Interior of the New Bedford
Creator:
Spencer Frederick Gore, 1878–1914
Date:
between 1908 and 1909
Materials & Techniques:
Black chalk, white chalk and graphite, squared for transfer on medium, slightly textured, mauve wove paper
Dimensions:
Sheet: 14 1/2 x 10 inches (36.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Tynemouth Pier - Lighting the Lamps at Sundown

Tynemouth Pier - Lighting the Lamps at Sundown
Creator:
Alfred William Hunt, 1830–1896
Date:
1868
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. St. Paul's from Southwark by Sunset

St. Paul's from Southwark by Sunset
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1832
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/4 × 35 1/4 inches (59.1 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Receipt for a Set of Six London Views

Receipt for a Set of Six London Views
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1758
Materials & Techniques:
Graphite, pen and black ink, and gray wash, incised for transfer on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 5/8 x 4 5/8in. (11.7 x 11.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Worth Matravers, Dorset

Worth Matravers, Dorset
Creator:
Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:
Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Here Nature List'ning Stood

Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Night Watchman

Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Brickfield at Pitland Street, Surrey

Brickfield at Pitland Street, Surrey
Creator:
George Price Boyce, 1826–1897
Date:
1866
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills

A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
Creator:
Paul Sandby, 1731–1809
Date:
1794
Materials & Techniques:
Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher
Dimensions:
Sheet: 27 5/16 x 40 3/16 inches (69.3 x 102 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. An Autumn Afternoon on Hampstead Heath

An Autumn Afternoon on Hampstead Heath
Creator:
Print made by John Copley, 1875–1950
Date:
1939
Materials & Techniques:
Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Heaving Sacks in the Barn at Amberden Hall, Essex

Heaving Sacks in the Barn at Amberden Hall, Essex
Creator:
Sir George Clausen, 1852–1944
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Cottage at Deane, Hants.

Cottage at Deane, Hants.
Creator:
John Piper, 1903–1992
Date:
1938
Materials & Techniques:
Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. London. A Street: 'Henry IV Part II,' Act II, Scene I

London. A Street: 'Henry IV Part II,' Act II, Scene I
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. A Scene in the New Farce - as Performed at the Royalty Theatre!

A Scene in the New Farce - as Performed at the Royalty Theatre!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1821
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 5/8 inches (24.2 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Isle of Wight and Kent Sketchbook

Isle of Wight and Kent Sketchbook
Creator:
Clarkson Stanfield, 1793–1867
Date:
1863
Materials & Techniques:
Graphite, watercolor, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 5 1/4 inches (13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. View of Richmond Castle, Yorkshire

View of Richmond Castle, Yorkshire
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor heightened with gouache on two sheets of laid paper, laid on a contemporary wash line mount
Dimensions:
Sheet: 16 13/16 x 31 inches (42.7 x 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Canonteign, Devon

Canonteign, Devon
Creator:
John White Abbott, 1763–1851
Date:
1804
Materials & Techniques:
Watercolor with pen and gray ink on six joined sheets of medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/4 x 29 3/8 inches (60.3 x 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Ludlow Castle

Ludlow Castle
Creator:
Samuel Scott, 1701/2–1772
Date:
between 1765 and 1769
Materials & Techniques:
Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:
Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Water-mill, Kingston, Surrey

Water-mill, Kingston, Surrey
Creator:
Michel Van Overbeek, active 1650–1680
Date:
undated
Materials & Techniques:
Brown wash and white gouache with pen and brown ink on medium, slightly textured, brown laid paper mounted on moderately thick, smooth, wove paper
Dimensions:
Sheet: 4 1/8 × 8 13/16 inches (10.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. River Stour, Suffolk

River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Durham by LNER: It's Quicker by Rail

Durham by LNER: It's Quicker by Rail
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
between 1923 and 1948
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 7/8 x 50 inches (101.3 x 127 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Windsor Castle

Windsor Castle
Creator:
John Piper, 1903–1992
Date:
1942
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, cream laid paper mounted on very thick, slightly textured, cream wove card
Dimensions:
Sheet: 10 3/4 × 7 1/2 inches (27.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Cave of the Golden Calf: Study for Mural

Cave of the Golden Calf: Study for Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and pastel on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
John Piper, 1903–1992
Date:
1942
Materials & Techniques:
Pen and black ink, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold

View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
Creator:
John Thirtle, 1777–1839
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 13 9/16 inches (16.8 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Cave of the Golden Calf: Study for Deer Hunting Mural

Cave of the Golden Calf: Study for Deer Hunting Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side

Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures

Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 18 inches (8.9 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals

Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, graphite, and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Cave of the Golden Calf: Study of Two Frenzied Dancers

Cave of the Golden Calf: Study of Two Frenzied Dancers
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 x 8 inches (15.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Canterbury Gate, Christ Church, Oxford

Canterbury Gate, Christ Church, Oxford
Creator:
Sir William Nicholson, 1872–1949
Date:
1903
Materials & Techniques:
Watercolor, black chalk, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. Powerstock Castle

Powerstock Castle
Creator:
John Piper, 1903–1992
Date:
ca. 1945
Materials & Techniques:
Watercolor, pen and black ink, brushed black ink and scraping out on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 3/4 x 28 1/4 inches (57.8 x 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. River Stour, Suffolk

River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Study for Tynemouth Pier - Lighting the Lamps at Sundown

Study for Tynemouth Pier - Lighting the Lamps at Sundown
Creator:
Alfred William Hunt, 1830–1896
Date:
ca. 1863
Materials & Techniques:
Brown wash with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. A Race Meeting at Newmarket Heath

A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1671
Materials & Techniques:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. Flower-Garden Porch at Farnley (Vignette)

Flower-Garden Porch at Farnley (Vignette)
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Gateway to the Flower Garden at Farnley

Gateway to the Flower Garden at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. Bay Windows in the Flower Garden at Farnley

Bay Windows in the Flower Garden at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

53. Holt Heath, near Norwich

Holt Heath, near Norwich
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 6 5/8 x 11 3/8 inches (16.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. St. Paul's Cathedral in the Moonlight

St. Paul's Cathedral in the Moonlight
Creator:
Bill Brandt, 1904–1983
Date:
1944, printed 1955-60
Materials & Techniques:
Gelatin silver print on medium, semi-gloss photographic paper
Dimensions:
Sheet: 9 1/4 × 7 7/8 inches (23.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

55. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

57. Durham Cathedral

Durham Cathedral
Creator:
George Arthur Fripp, 1813–1896
Date:
1846
Materials & Techniques:
Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 24 7/8 inches (35.9 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

58. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Granby Hill, Bristol

Granby Hill, Bristol
Creator:
James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

60. The Princes in the Tower

The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

No cover image available
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund