Illustration to Aesop's Fables: The Fox & the Crane
undated
4
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
5
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
6
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
7
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
8
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
9
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
10
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
11
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
12
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
13
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
14
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act V, Scene I
undated
15
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
16
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
17
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
18
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act IV, Scene II
undated
19
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act V, Scene IV
undated
20
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene II
undated
21
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene II
undated
22
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
23
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
24
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
25
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
26
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
27
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
28
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
29
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
30
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
33
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
34
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
35
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
36
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
37
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
38
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
39
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
40
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
41
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
42
Charles Grignion, 1717–1810
Mr. Garrick in the Charakter (sic) of Richard the 3D
1746
43
Print made by Pieter van Bleeck, 1700–1764
Griffin and Johnson
1748
44
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
45
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
46
George Romney, 1734–1802
Daphnis and Chloe
undated
47
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
48
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
49
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
50
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
51
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
52
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
53
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
54
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
55
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
56
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
57
George Romney, 1734–1802
The Banquet Scene
ca. 1792
58
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
59
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
60
George Romney, 1734–1802
Tempest, Version A
undated
61
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
62
George Romney, 1734–1802
Birth of Man
undated
63
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
64
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
65
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
66
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
67
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
68
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
69
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
70
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
71
George Romney, 1734–1802
Unidentified Subjects
undated
72
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
73
Print made by John Faber the Younger, ca. 1695–1756
Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"
1751
74
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
75
Print made by Edward Fisher, 1722–1785
Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'
between 1752 and 1763
76
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
77
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
78
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
79
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
80
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
81
Charles Spooner, c.1720–1767
Mr. Garrick in the Character of King Lear - "King Lear", Act III, Scene V
1761
82
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
83
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
84
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
85
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
86
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
87
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
88
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
89
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
90
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
91
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
92
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
93
Robert Smirke, 1752–1845
Illustration for Don Quixote (with figures on a donkey)
undated
94
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
undated
95
Robert Smirke, 1752–1845
Scenes from an Eastern Romance [Arabian Nights]
undated
96
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
97
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
undated
98
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
99
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'