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1. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
Creator:
Robert Smirke, 1752–1845
Date:
between 1798 and 1801
Materials & Techniques:
Pen and ink and oil on panel
Dimensions:
15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Artist and His Family

The Artist and His Family
Creator:
Benjamin West, 1738–1820
Date:
ca. 1772
Materials & Techniques:
Oil on canvas
Dimensions:
20 1/2 x 26 1/4 inches (52.1 x 66.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Education of Achilles

The Education of Achilles
Creator:
James Barry, 1741–1806
Date:
ca. 1772
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/2 x 50 3/4 inches (102.9 x 128.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. Birth of the Heir

Birth of the Heir
Creator:
William Redmore Bigg, 1755–1828
Date:
ca. 1799
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Christening of the Heir

Christening of the Heir
Creator:
William Redmore Bigg, 1755–1828
Date:
ca. 1799
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Night

Night
Creator:
Francis Wheatley, 1747–1801
Date:
1799
Materials & Techniques:
Oil on canvas
Dimensions:
17 1/2 x 21 1/2 inches (44.5 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Europe. A Prophecy, Plate 8 (Bentley 9)

Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 24 (Bentley 26)

The First Book of Urizen, Plate 24 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. What is Man!, Frontispiece; Plate 1

What is Man!, Frontispiece; Plate 1
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. At Length for Hatching Ripe He Breaks the Shell; Plate 8

At Length for Hatching Ripe He Breaks the Shell; Plate 8
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 25 (Bentley 26)

The First Book of Urizen, Plate 25 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Sleeping Infant's Arm

Sleeping Infant's Arm
Creator:
Sir David Wilkie, 1785–1841
Date:
1806
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 2 x 3 1/8 inches (5.1 x 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Christening

A Christening
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Studies: Newborn Baby's Head

Studies: Newborn Baby's Head
Creator:
Mervyn Peake, 1911–1968
Date:
undated
Materials & Techniques:
Pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 12 11/16 inches (24.8 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

36. Man and Woman Holding Baby, Seated on Bank

Man and Woman Holding Baby, Seated on Bank
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 5 3/16 inches (16.4 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Grace Before Meat

Grace Before Meat
Creator:
Sir David Wilkie, 1785–1841
Date:
1839
Materials & Techniques:
Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Christening in Chevening Church, Kent

A Christening in Chevening Church, Kent
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Adoration

The Adoration
Creator:
Hamlet Winstanley, 1698–1756
Date:
1723
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 9 1/4 inches (20.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Mother and Infant

Mother and Infant
Creator:
James Ward, 1769–1859
Date:
ca. 1798
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 8 1/16 inches (23.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 13/16 × 8 1/8 inches (32.5 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. Moses in the Bulrushes [Reclining Child]

Moses in the Bulrushes [Reclining Child]
Creator:
John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Auld Brig, Ayr

Auld Brig, Ayr
Creator:
Print made by Robert Bryden, 1865–1939
Date:
1904
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

46. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. The Birth of Christ (Luke 2:15)

The Birth of Christ (Luke 2:15)
Creator:
Richard Westall, 1765–1836
Date:
before 1836
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 1/4 x 1 3/4 inches (10.8 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. The Flight from Belgium

The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952
Date:
1914
Materials & Techniques:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Infant Jupiter

The Infant Jupiter
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1775
Materials & Techniques:
Mezzotint (third state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 14 15/16 inches (53 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. The Infant Hercules

The Infant Hercules
Creator:
Print made by William James Ward, ca. 1800–1840
Date:
1819
Materials & Techniques:
Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:
Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. The Holy Family

The Holy Family
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 11 5/8 inches (39.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

53. Virgin and Child

Virgin and Child
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1670 and 1690
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 x 6 3/16 inches (18.3 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. Two Sketches of a Woman and Infant

Two Sketches of a Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 7 3/8 inches (31.1 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

55. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 15/16 × 7 5/16 inches (22.7 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. La Retour du Marche

La Retour du Marche
Creator:
Robert Strange, 1721–1792
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

57. Sunday Morning, A Cottage Family Going to Church

Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The West India Washer-Women

The West India Washer-Women
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Crucifixion

The Crucifixion
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 30 15/16 inches (54.9 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Paphian Bower

The Paphian Bower
Creator:
George H. Phillips, active 1819–1825
Date:
1826
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. St. Catherine's Hill, near Guildford, Surrey

St. Catherine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1832
Materials & Techniques:
Line engraving and etching, 2nd state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Bath

The Bath
Creator:
Print made by John Copley, 1875–1950
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, beige Japan paper
Dimensions:
Sheet: 11 x 15 9/16 inches (28 x 39.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

65. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A Mother and Child

A Mother and Child
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Flight into Egypt

Flight into Egypt
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

69. Knives or Scissors to Grind

Knives or Scissors to Grind
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 2 3/4 inches (10.6 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, cream graph paper
Dimensions:
Sheet: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

71. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, cream graph paper
Dimensions:
Sheet: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

72. A Nose for Bargains

A Nose for Bargains
Creator:
Bert Hardy, 1913–1995
Date:
1948
Materials & Techniques:
Vintage gelatin silver print on photographic paper
Dimensions:
Sheet: 9 1/2 × 5 5/8 inches (24.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

73. Lady Wigram with Her Infant Son, William Pitt Wigram

Lady Wigram with Her Infant Son, William Pitt Wigram
Creator:
John Smart, 1741–1811
Date:
undated
Materials & Techniques:
Graphite and beige wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/16 × 5 3/8 inches (16 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Back View of a Woman with Child Looking Over Her Shoulder

Back View of a Woman with Child Looking Over Her Shoulder
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Gray ink with graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 3 3/8 inches (15.2 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Palm Offering

The Palm Offering
Creator:
Print made by Frederick Stacpoole, 1813–1907
Date:
1868
Materials & Techniques:
Mezzotint and stipple engraving on thick, slightly textured, cream wove paper mounted on canvas
Dimensions:
Sheet: 37 3/8 × 27 3/4 inches (94.9 × 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

76. The Infant Hercules

No cover image available
Creator:
James Walker, 1748–1808
Date:
1792
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 26 1/16 × 22 15/16 inches (66.2 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Moses in Bullrushes

No cover image available
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/16 × 14 5/16 inches (51.6 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

78. Time Clipping the Wings of Cupid

No cover image available
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/2 × 14 1/2 inches (52.1 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

79. Pomona

No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1680-1690s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

80. Children's Bacchanal

No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1680-1690s
Materials & Techniques:
Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

81. The Descent of Man into the Vale of Death

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Counsellor, King, Warrior, Mother & Child, in the Tomb

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Counsellor, King, Warrior, Mother & Child, in the Tomb

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Elkanah, Hannah and Samuel

No cover image available
Creator:
Print made by George Graham, active 1786–1813
Date:
1815
Materials & Techniques:
Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

85. The Descent of Man into the Vale of Death

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Bacchus

No cover image available
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection