View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
3
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
4
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
5
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
6
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
7
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
8
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
9
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
10
John Scott, 1774–1828
Prior, Love Disarmed, vol. II
1802
11
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
12
James de Carle Sowerby, 1787–1871
Heads of Two Proboscis Monkeys
undated
13
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
14
James de Carle Sowerby, 1787–1871
Zebra
undated
15
James de Carle Sowerby, 1787–1871
A Crane
undated
16
James de Carle Sowerby, 1787–1871
A Parrot
undated
17
James de Carle Sowerby, 1787–1871
A Parrot
undated
18
James de Carle Sowerby, 1787–1871
A Parrot
undated
19
Edward Francis Burney, 1760–1848
Farmhouse
1802
20
Cornelius Varley, 1781–1873
Carnarvon
1802
21
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
22
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
23
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
24
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
25
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
26
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
27
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
28
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
29
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
30
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
31
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
32
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
33
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
34
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
35
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
36
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
37
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
38
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
39
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
40
James de Carle Sowerby, 1787–1871
Three Toucans
undated
41
James de Carle Sowerby, 1787–1871
A Parrot
undated
42
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
43
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
44
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
45
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
46
Print made by S. Porter, active 1802
Durham Cathedral
1802
47
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
48
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
49
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
50
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
51
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
52
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
53
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
54
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
55
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
56
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
57
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
58
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
59
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
60
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
61
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
62
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
63
James Hook, ca. 1772–1828
A Regency Pair
1802
64
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
65
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
66
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
67
unknown artist
Light Head Dress and Long Petticoats
1802
68
Samuel William Reynolds, 1773–1835
Vice Admiral Lord Hugh Seymour
1802
69
Sir Robert Smirke the younger, 1781–1867
Sir Robert Smirke's Continental Tour
1802-1804
70
Sir Robert Smirke the younger, 1781–1867
Lyons - From the Bridge at the Junction of the Rhone & Soane
1802
71
Sir Robert Smirke the younger, 1781–1867
The Ruins of the Arsenal From the Place de St. Michel
1802
72
Sir Robert Smirke the younger, 1781–1867
Paris From the Hospital of Bicêtre
1802-1804
73
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
74
Sir Robert Smirke the younger, 1781–1867
The Castle of Petrarch, Vaucluse, France
1802-1804
75
Sir Robert Smirke the younger, 1781–1867
The Castle Inhabited by Petrarch, Vaucluse
1802
76
Sir Robert Smirke the younger, 1781–1867
Nîmes, France
1802-1804
77
Sir Robert Smirke the younger, 1781–1867
The Source of the Vaucluse
1802
78
Sir Robert Smirke the younger, 1781–1867
Arles, France
1802-1804
79
Sir Robert Smirke the younger, 1781–1867
Aix-en-Provence
1802-1804
80
Sir Robert Smirke the younger, 1781–1867
Les Ares
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
Aix-en-Provence
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
Near Arles
1802-1804
83
Sir Robert Smirke the younger, 1781–1867
Genoa From a HIll on the Side Near the Lazaretto
1802
84
Sir Robert Smirke the younger, 1781–1867
Portofino, The Italian Riviera of Genoa
1802
85
Sir Robert Smirke the younger, 1781–1867
An Old Convent, Near the Conservatory
1802
86
Sir Robert Smirke the younger, 1781–1867
From the Ramparts on the East Side of Genoa
1802
87
Sir Robert Smirke the younger, 1781–1867
An Old Battery and Watch Tower in Genoa
1802
88
Sir Robert Smirke the younger, 1781–1867
A View of Genoa, Taken Near the Gate of St. Thomas
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Near Genoa
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
Near Genoa
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Moldings on the Pillars
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Palazzi dei Rolli, Genoa
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Picturesque View of a Village, With Mountains in the Background and a Stone Bridge in the Foreground