Design for the Mechanics' Institution, Basingstoke: Elevation
undated
9
James Ward, 1769–1859
A Stunted Oak
1822
10
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
11
Print made by George Cooke, 1781–1834
Crichton Castle
1822
12
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
13
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
14
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
15
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
16
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
17
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
18
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
19
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
20
unknown artist
Sir John Hawkins Knt
1822
21
unknown artist
Heidelberg
1822
22
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
23
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1822
24
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
25
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
26
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
27
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
28
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
29
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
30
Print made by William Bernard Cooke, 1778–1855
Margate
1822
31
Henry Morton, ca. 1807–1825
Winchelsea Castle
undated
32
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
33
Print made by William Bernard Cooke, 1778–1855
Margate
1822
34
Print made by William Bernard Cooke, 1778–1855
Margate
1822
35
Joseph Nash, 1808–1878
Street Activity
ca. 1827
36
Joseph Nash, 1808–1878
Fashionable Men and Women Conversing
ca. 1827
37
John Baverstock Knight, 1785–1859
Studland Dock Yard
1822
38
Aaron Edwin Penley, 1807–1870
River Landscape
undated
39
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
40
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
41
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
42
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
43
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
44
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
45
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
46
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
47
Robert Smirke, 1752–1845
Taming of the Shrew
1822
48
Robert Smirke, 1752–1845
Twelfth Night
1822
49
Robert Smirke, 1752–1845
Tempest
1822
50
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
51
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
52
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
1822
53
William Thomas Fry, 1789–1843
Thomas Moore, Esq
1822
54
John Buckler FSA, 1770–1851
North View of Thornbury Castle, Gloucestershire
1822
55
Matthew Dubourg, active 1786–1838
Stage Coach
1822
56
William Heath, 1795–1840
A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge
1822
57
William Holl II, 1807–1871
Samuel Johnson with biography
undated
58
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
59
Charles Turner, 1774–1857
The Hampshire Hunt
1822
60
unknown artist
Interior of Salters Hall Meeting
1822
61
unknown artist
The Late Hall of the Company of Salters
1822
62
Charles Turner, 1774–1857
Coronation of King George IV in Westminster Abbey
1822
63
Charles J. Hullmandel, 1789–1850
Richmond, from Petersham Fields
1822
64
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
65
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
66
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
67
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
68
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
69
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
70
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
71
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
72
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
73
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
74
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
75
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
76
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
77
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
78
John Buckler FSA, 1770–1851
South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart
1822
79
Edward Scriven, 1775–1841
Benjamin West
1822
80
George Hollis, 1792–1842
Ombersley Church, Worcestershire, S.E
1822
81
Print made by unknown artist
Quae Genus on his Journey to London
1822
82
unknown artist
View of the New Custom House Taken from the River Thames
1822
83
Bartholomew Howlett, 1767–1827
Clerks-Well
1822
84
Bartholomew Howlett, 1767–1827
North Front of Bedford House, Bloomsbury Square
1822
85
unknown artist
A Ground Plan of Bermondsey Abbey
1822
86
Bartholomew Howlett, 1767–1827
Interior of the Choir of St. Barts the Great
1822
87
unknown artist
West Entrance to the Tunnell, Regent's Canal, Islington
1822
88
Robert Smirke, 1752–1845
Twelfth Night
1822
89
unknown artist
West View of the Interior of St. Barts the Great
1822
90
unknown artist
John Bunyan's Meeting House and the School connected therewith
1822
91
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
92
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
93
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
94
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
95
unknown artist
Twickenham. Western Suburb
1822
96
Charles J. Hullmandel, 1789–1850
Twickenham
1822
97
Print made by Robert Wilkinson, 1758–1825
A Ground Plan of Bermondsey Abbey
1822
98
Bartholomew Howlett, 1767–1827
The Queen of Bohemia's Palace, or Crover House in Drury Lane; as it appeared in the Year 1800