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1. Huntsman and Hounds

Huntsman and Hounds
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on thick, smooth, gray wove card
Dimensions:
Sheet: 7 7/8 x 6 5/8 inches (20.1 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jason

Jason
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Procris and Cephalus

Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Illustrations of Imitation of Eclogue I, Frontispiece

Illustrations of Imitation of Eclogue I, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. View on the Line of the Liverpool and Manchester Railway

View on the Line of the Liverpool and Manchester Railway
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. One of eighteen designs for a series of plates illustrating Venus and Adonis

One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Street Scene at Stratford by Bow

Street Scene at Stratford by Bow
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Part of Balliol College Quadrangle

Part of Balliol College Quadrangle
Creator:
Print made by James S. Storer, 1771–1853
Date:
1809
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A View of Worcester College &c.

A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A View of Worcester College &c.

A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, published state (late impression) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. View of Oxford from the South Side of Heddington Hill

View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View of Oxford from the South Side of Heddington Hill

View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Part of Balliol College Quadrangle

Part of Balliol College Quadrangle
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1820
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1864
Materials & Techniques:
Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A Dangerous Leap

A Dangerous Leap
Creator:
unknown artist
Date:
ca. 1850
Materials & Techniques:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 9/16 × 4 5/16 inches (9 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bauldy and Mause

Bauldy and Mause
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

22. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1885
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 12 7/8 inches (26 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23. The Messengers Tell Job of the Misfortunes that Have Befallen Him

The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Crucifixion

The Crucifixion
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 30 15/16 inches (54.9 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Deluge

The Deluge
Creator:
Print made by John Martin, 1789–1854
Date:
1828
Materials & Techniques:
Mezzotint with etching; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Valle Crucis Abbey, Denbighshire

Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Buckfastleigh Abbey

Buckfastleigh Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/8 inches (26.8 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Leicester Abbey

Leicester Abbey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Leicester Abbey

Leicester Abbey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
Creator:
John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. "This is fairy gold, boy, and will prove so"

"This is fairy gold, boy, and will prove so"
Creator:
James Heath, 1757–1834
Date:
1804
Materials & Techniques:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 8 5/16 inches (12.9 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Death of the First Born

Death of the First Born
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Bramber Castle

Bramber Castle
Creator:
unknown artist
Date:
between 1824 and 1835
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Professor Henslow with Plant

Professor Henslow with Plant
Creator:
Richard Dykes Alexander, 1788–1865
Date:
ca. 1855
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

41. The Woodcutter

The Woodcutter
Creator:
Alfred Stevens, 1817–1875
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 × 4 3/8 inches (11.6 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Pastorals of Virgil, Volume 2

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Pastorals of Virgil, Volume 1

No cover image available
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Return of Tobias

No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1805
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 inches (50.8 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. The Golden Bough

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Bay of Baiae, Apollo and the Sibyl

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1873
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Bay of Baiae - Apollo and the Sibyl

No cover image available
Creator:
Print made by unknown artist
Date:
between 1852 and 1856
Materials & Techniques:
Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:
Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Reverend William Lort Mansel, Lord Bishop of Bristol

No cover image available
Creator:
William Say, 1768–1834
Date:
1812
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 15/16 × 13 7/8 inches (50.6 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Golden Bough

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Bacchus and Ariadne

No cover image available
Creator:
Print made by unknown artist
Date:
1855
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper mounted on beige board
Dimensions:
Sheet: 18 3/4 × 18 1/2 inches (47.6 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection