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View of the City with the Louvre &c. taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A General View of Paris taken from Chaillot
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michel, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Panoramic View of Venice
Creator:
Robert Havell, 1769–1832
Date:
1837
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Tilbury

Tilbury
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 6 15/16 inches (8.3 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
Black Lion Wharf
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige China paper
Dimensions:
Sheet: 9 1/8 × 14 inches (23.1 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
A Village – Evening
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, Open etching
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Line engraving on steel, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Line engraving on steel, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Line engraving on steel, touched proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the Seine between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (finished, without any lettering)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (unfinished)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen, looking up the river
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderatly thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834-1836
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 3/8 × 8 1/2 inches (34 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 25 × 8 3/4 inches (63.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 1/8 inches (21.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wolf's Hope
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem from the Latin Convent
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Sidon

Sidon
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Summer Eve - The Rainbow
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth, Devonshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1832
Materials & Techniques:
Line engraving, 3rd state on thick, smooth, beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Summer Eve - the Rainbow
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, first state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corinth, (Cenchrea)
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1834
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem from the Latin Convent
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Approach to Venice
Creator:
James Charles Armytage, 1802–1897
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth, on the River Dart
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1823 to 1827
Materials & Techniques:
Etching and mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Village Fair
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, smooth wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bacharach on the Rhine
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Rhodes

Rhodes
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Line engraving, 1st published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 17 inches (29.7 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 11 3/4 inches (21.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched)
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen, looking down the river
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen, looking up the river
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paerp with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh from Blackford Hill
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brussels - Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germain-en-laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 9 inches (13.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Freetown, Sierra Leone
Creator:
Auguste François Laby, 1784–1860
Date:
ca. 1850
Materials & Techniques:
Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 29 3/4 inches (33.3 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, & c.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris, A View of Pont au Changes
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1800 to 1802
Materials & Techniques:
Hand colored soft-ground etching with brown, gray, and blue wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 19 5/16 inches (23.2 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Freetown, Sierra Leone
Creator:
Auguste François Laby, 1784–1860
Date:
ca. 1850
Materials & Techniques:
Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 29 9/16 inches (33.7 × 75.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rietz near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice - The Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, ngraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corinth (Cenchrea)
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection