Date: 1770 / Period: 18th century-19th century / Image Use: Free to Use

1. For the Triumph of Britannia

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and gray ink; verso: pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Relief Design for a Silver Salt Cellar

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Classical Figures Drawing

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 5 3/4 inches (13 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Seated Girl by an Urn

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 3/8 × 2 1/2 inches (6 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Girl, Full Length, Facing Right

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 1 3/4 inches (11.1 × 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Charity Children and Little Vagabonds

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite, black chalk, red chalk, watercolor, and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Adoration of the Magi, a Design for Bas Relief

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite, gray wash, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 18 inches (28.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Illustration to the Virtuous Orphan

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 2 7/8 inches (12.4 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study for Telemachus

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 11 7/8 inches (23.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Study for the Wellington Monument

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Sketch of Classical Figures in Action

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 9 5/8in. (22.7 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Study for the Wellington Shield

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slighltly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 7/8 inches (21.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Chinese Flower Seller

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Study for Illustration - A Princess with her Attendants

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 7 inches (19.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Memoranda

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Chinese Youth Weaving

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 8 1/2in. (22.9 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Back of Naked Figure

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 × 1 1/8 inches (5.4 × 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Frieze of a Medieval Wedding

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 9 1/8 inches (8.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Solicitude: A Man Supporting a Fainting Woman

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Study of Trees

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 3/4 inches (17.8 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Girl, Full Length, Facing Front

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 2 3/8 inches (11.7 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Twenty Young Girls in a Group Walking to the Left

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 1/2 inches (11.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Tree Study

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 1/2 inches (17.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Untitled

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Brown wash, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 2 3/4 inches (10.6 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

28. Francis Drake Esqr.

Creator:: John Young, 1755–1825
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 13/16 × 14 inches (50.3 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Trees in the Villa Negroni Planted by M. Angelo

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Miss Haffey

Creator:: Robert Laurie, 1755?–1836
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Dr. Johnson

Creator:: R. Page, active 1816–1825
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/2 x 6 5/8in. (24.1 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

32. Dr. Johnson

Creator:: R. Page, active 1816–1825
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 3/4 x 5 3/4in. (22.2 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

33. A Tiger, Full-Length, in Profile, Walking Towards Right

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink, and black ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 9/16 × 12 inches (21.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 1/2 inches (9.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Punt Fishing in the Thames

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 x 13 1/16 inches (10.6 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Bottom Fishing Near Totten Mill

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 12 7/8 inches (10.8 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Fly Fishing

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 10 9/16 inches (10.8 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Study of a Gentleman, called Dr. Johnson

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/4 x 1 1/4 inches (5.7 x 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

43. Chinese Youth (balancing a jar held aloft)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/16 × 6 3/4 inches (24 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Anglers Packing Up

Creator:: Robert Pollard, 1755–1838
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 inches (10.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. John Flaxman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 9 1/2 inches (24.3 × 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp

51. A Girl Giving a Key to a Cavalier

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

52. The Club

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 6 1/4 inches (15.8 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

53. Sir Roger de Coverly

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 7 inches (20 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

54. Sheet of Figure Studies for The Odyssey

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 12 1/4 inches (13.3 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard T. Godfrey

55. Illustrations for 'Gil Blas', plate II

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

56. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 5 3/4 inches (11.4 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Back View of a Woman with Child Looking Over Her Shoulder

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink with graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 3 3/8 inches (15.2 x 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Woman Carrying a Child in Her Arms

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 3 1/4 inches (15.2 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Two Women Talking to a Man at a Counter

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink, brown ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 1/8 inches (20 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

Creator:: after John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Reverend Anthony Stephen Mathew

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. The Judgement of Paris

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 1/4 inches (20.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Two Women and a Child

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Gray ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Study of Three Lampstands

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

66. Prometheus

Creator:: Prince Hoare, 1755–1834
Date:: undated
Materials & Techniques:: Black chalk on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Sepia on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/16 × 16 3/4 inches (39.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

69. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

70. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

71. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

72. British (?), Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, matt and burnished water gilding, sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

73. British (?), Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, matt and burnished water gilding, sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

74. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

75. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th century to early 19th century
Materials & Techniques:: Wood and compo, later oil and water gilding and over original gilding
Dimensions:: Frame: 31 × 29 1/2 inches (78.7 × 74.9 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

76. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

77. British, 'Carlo Maratta', NeoClassical variant frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, original gilding overpainted
Collection:: Frames
Credit Line:: Yale Center for British Art

78. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later oil and water gilding over original gilding
Dimensions:: Frame: 33 3/4 × 42 × 2 3/8 inches (85.7 × 106.7 × 6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

79. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, regilded over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

80. British 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, regilded over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

81. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th century to early 19th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding
Dimensions:: Frame: 67 × 66 inches (170.2 × 167.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

82. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later glazed over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

83. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

84. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 43 × 55 × 3 inches (109.2 × 139.7 × 7.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

85. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, regilded over original gilding
Dimensions:: Frame: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

86. British, 'Carlo Maratta' - NeoClassical variant frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 12 5/8 × 15 1/4 × 1 3/8 inches (32.1 × 38.7 × 3.5 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

87. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later patinated water gilding over original gilding
Dimensions:: Frame: 22 1/8 × 29 × 2 3/8 inches (56.2 × 73.7 × 6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

88. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

89. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood, partially regilded over original oil and water gilding
Dimensions:: Frame: 36 1/4 × 31 3/8 × 3 3/8 inches (92.1 × 79.7 × 8.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

90. British, Palladian frame

Creator:: unknown framemaker
Date:: late 18th century to early 19th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

91. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, regilded over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

92. British, Neoclassical (print frame) frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

93. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

94. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

95. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood and compo, partial later regilding
Collection:: Frames
Credit Line:: Yale Center for British Art

96. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

97. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 9 1/2 × 10 3/4 inches (24.1 × 27.3 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

98. British Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, original water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

99. British, Neoclassical frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Wood and compo, partially regilded over original oil and water gilding
Dimensions:: Frame: 52 3/4 × 81 1/2 × 3 3/4 inches (134 × 207 × 9.5 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

100. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: late 18th to early 19th century
Materials & Techniques:: Carved wood, original water gilding, partially restored
Dimensions:: Frame: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

Refine your search

Search Constraints

Date 1770

Period 18th century-19th century

Image Use Free to Use

Search Results

1. For the Triumph of Britannia

2. Relief Design for a Silver Salt Cellar

3. Classical Figures Drawing

4. Seated Girl by an Urn

5. Girl, Full Length, Facing Right

6. Charity Children and Little Vagabonds

7. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

8. Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures

9. The Adoration of the Magi, a Design for Bas Relief

10. Illustration to the Virtuous Orphan

11. Study for Telemachus

12. A Study for the Wellington Monument

13. Sketch of Classical Figures in Action

14. Study for the Wellington Shield

15. Chinese Flower Seller

16. Study for Illustration - A Princess with her Attendants

17. Memoranda

18. Chinese Youth Weaving

19. Back of Naked Figure

20. Frieze of a Medieval Wedding

21. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

22. Solicitude: A Man Supporting a Fainting Woman

23. Study of Trees

24. Girl, Full Length, Facing Front

25. Twenty Young Girls in a Group Walking to the Left

26. Tree Study

27. Untitled

28. Francis Drake Esqr.

29. Trees in the Villa Negroni Planted by M. Angelo

30. Miss Haffey

31. Dr. Johnson

32. Dr. Johnson

33. A Tiger, Full-Length, in Profile, Walking Towards Right

34. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

35. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

36. July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)

37. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

38. October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

39. Punt Fishing in the Thames

40. Bottom Fishing Near Totten Mill

41. Fly Fishing

42. Study of a Gentleman, called Dr. Johnson

43. Chinese Youth (balancing a jar held aloft)

44. Anglers Packing Up

45. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

46. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

47. August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

48. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

49. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

50. John Flaxman

51. A Girl Giving a Key to a Cavalier

52. The Club

53. Sir Roger de Coverly

54. Sheet of Figure Studies for The Odyssey

55. Illustrations for 'Gil Blas', plate II

56. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

57. To Phoebus at His Birth, From Aeschylus, Furies

58. Back View of a Woman with Child Looking Over Her Shoulder

59. Woman Carrying a Child in Her Arms

60. Two Women Talking to a Man at a Counter

61. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

62. The Reverend Anthony Stephen Mathew

63. The Judgement of Paris

64. Two Women and a Child

65. Study of Three Lampstands

66. Prometheus

67. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

68. British Neoclassical frame

69. British, Neoclassical frame

70. British, Neoclassical frame

71. British Neoclassical frame

72. British (?), Neoclassical frame

73. British (?), Neoclassical frame