Period: 19th century / Height [cm]: 30 - YCBA Collections Search Search Results

301. Spring

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

302. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1815
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Portrait Sketches

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: between 1870 and 1873
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 9 3/4 inches (32.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

304. Shakspeare

Creator:: Robert Cooper, ca. 1800–1836
Date:: 1811
Materials & Techniques:: Stipple engraving and line engraving on wove paper
Dimensions:: Image: 11 3/4 x 9in. (29.8 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

305. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

Creator:: George Chinnery, 1774–1852
Date:: 1840
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 11 11/16 × 11 1/4 inches (29.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Cottager's Hospitality to Travellers of The Coach Broke Down

Creator:: James Pollard, 1792–1867
Date:: 1819
Materials & Techniques:: Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Wrestling

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 5/8 × 14 3/4 inches (29.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. The Mail Coach in a Drift of Snow

Creator:: Richard Gilson Reeve, 1803–1889
Materials & Techniques:: Hand colored etching and aquatint on wove paper
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. The Mail Coach in a Storm of Snow

Creator:: Richard Gilson Reeve, 1803–1889
Materials & Techniques:: Hand colored etching and aquatint on wove paper
Dimensions:: Sheet: 11 3/4 x 16 1/2in. (29.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

Creator:: John Buckler FSA, 1770–1851
Date:: 1821
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

Creator:: John Buckler FSA, 1770–1851
Date:: 1810
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy

Creator:: Print made by William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 8 3/4 inches (29.8 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. A Strong Case for Shortening the Hours of Labour

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Ass and the Sick Lion

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 11/16 x 17 3/16 inches (29.7 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. New Illustration of Hudibras

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1851
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/4 inches (29.8 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826

Creator:: Unknown artist (Company style)
Date:: 1826
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. The Close of the Season

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 3/8 x 9 3/4in. (16.2 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Creator:: David Cox, 1783–1859
Date:: ca. 1821
Materials & Techniques:: Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

329. Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1863
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 11 3/4 × 15 15/16 inches (29.8 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

330. Janie Ellice: Full Length Sketch

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1835 to 1841
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 11 3/4 x 8 inches (29.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Shakspeare

Creator:: Benjamin Holl, 1808–1884
Date:: 1827
Materials & Techniques:: Stipple engraving on wove paper
Dimensions:: Sheet: 11 5/8 x 9 1/8in. (29.5 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

332. Eastern Letter Writer

Creator:: Richard Dadd, 1817–1886
Date:: 1863
Materials & Techniques:: Watercolor with brown ink on medium, smooth, beige wove paper
Dimensions:: Frame: 19 1/8 × 14 3/8 inches (48.6 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

333. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, brown wash, and pink wash on smooth, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 10 3/16 inches (29.5 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Cotton Garden, Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Coaching: A Scene at the Devil's Dyke near Brighton in the country of Sussex

Creator:: John Bruce, fl. 1826
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Fox Hunting: Leicestershire - Full Cry

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. "By - he'll get to the Earth..."

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige laid paper mounted to card
Dimensions:: Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Fox Hunting: Leicestershire - The Meeting

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Fox Hunting: Leicestershire - Getting Away

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. St. Mary, Rotherhithe

Creator:: John Coney, 1786–1833
Date:: 1818
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 7 15/16in. (29.8 x 20.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. St. Michael Paternoster Royal

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 7 1/4in. (29.8 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. St. Michael, Cornhill

Creator:: William Wise, Active 1823–1876
Date:: 1811
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 7 3/8in. (29.8 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. St. Nicholas Cole Abbey

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 5/8 x 7 1/4in. (29.5 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. All Hallows Lombard Street

Creator:: William Wise, Active 1823–1876
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 x 7 1/4in. (30.2 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. The Parish Church of St. Barnabas Homerton

Creator:: C. J. Greenwood, 19th century
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 11 7/8 x 14 7/8in. (30.2 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Plan of the Nunnery and Church of St. Helen

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 18 1/4in. (29.8 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

350. Abingdon

Creator:: Print made by Charles Cousen, ca. 1819–1889
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Approach to Venice

Creator:: James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Calais

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 7/8 × 10 1/2 inches (30.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:: Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Sir Charles Eastlake, R. A.

Creator:: Print made by George T Doo, 1800–1886
Date:: 1873
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 13 5/8 x 10 3/8 inches (34.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Dr. Johnson

Creator:: James Mitchell, 1791–1852
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 8 3/4in. (29.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

358. Samuel Johnson

Creator:: William Henry Worthington, ca. 1790–active 1839
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 9 1/4in. (29.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

359. St. Mary, Aldermary

Creator:: William Wise, Active 1823–1876
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 6 7/8in. (29.8 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. St. Mary, Woolnoth

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 5/8 x 7 5/8in. (29.5 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. St. Mary le Bow

Creator:: William Wise, Active 1823–1876
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 5/8 x 7in. (29.5 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Leeds

Creator:: Print made by James Duffield Harding, 1798–1863
Date:: 1823
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 11 3/4 x 17in. (29.8 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Covent Garden Market in the Year 1815

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 11 7/8 x 14 3/8in. (30.2 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. New London Bridge from Billingsgate (low water)

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 13/16 x 15 5/8in. (30 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. View of Waterloo Bridge

Creator:: Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 15 1/4in. (29.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. His Majesty's Visit to Scotland

Creator:: William James Bennett, 1787–1844
Date:: 1823
Materials & Techniques:: Color printed aquatint with hand coloring in watercolor
Dimensions:: Sheet: 11 7/8 x 20in. (30.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. tms:36989

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 9 3/16 inches (30.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Benjamin West, Esqr.

Creator:: Print made by George Dawe, 1781–1829
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 3/16 x 11 3/4 inches (41.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

370. Weathercote Cave when half filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 11/16 × 9 3/8 inches (29.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. E. Edwards, Associate and Teacher of Perspective in the Royal Academy

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1808
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 x 9 5/16 inches (30.3 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof (early) on moderatly thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Fox Hunting: Leicestershire - The Death

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Man Leading a Horse in Front of a Stable

Creator:: Possibly John West Giles, active 1827–1865
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gum arabic on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Interior of the Chapel of the Holy Trinity

Creator:: Print made by Thomas Dale, active ca. 1921
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

383. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Irish Mary

Creator:: Julia Margaret Cameron, 1815–1879
Date:: 1866
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 11 13/16 × 8 1/2 inches (30 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery

386. Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1805
Materials & Techniques:: Watercolor, pen and gray ink, black ink, blue ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 inches (29.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Sphinx, in the Gardens of the Villa Albani, and a Study of a Roman Mask

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Charcoal and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. The Reduced Gentleman's Daughter

Creator:: Richard Redgrave, 1804–1888
Date:: undated
Materials & Techniques:: Watercolor and graphite with chalk and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 15 7/8 inches (30.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

389. The Prince Albert, 11 Coopers Row, Crutched Friars, and Cooper's Bonded Vaults and Tea Warehouses

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 12 1/16in. (30.2 x 30.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Sir Isaac Heard

Creator:: Charles Turner, 1774–1857
Date:: 1817
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 15/16 inches (42.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. The Spanish Mother

Creator:: Abraham Raimbach, 1784–1868
Date:: 1836
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. A Tempest – Voyage of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. The Alps at Daybreak

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. The Soup Kitchen

Creator:: Print made by William Strang, 1859–1921
Date:: 1889
Materials & Techniques:: Etching and mezzotint on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

398. On the Thames

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1875
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

Height [cm] 30

Search Results

301. Spring

302. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

303. Portrait Sketches

304. Shakspeare

305. [One from] A Volume of Drawings and Prints

306. Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

307. Unloading the Luggage From The Exeter Coach

308. Cottager's Hospitality to Travellers of The Coach Broke Down

309. Wrestling

310. Design for a Chapel at Enfield: Longitudinal Section

311. Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.

312. The Mail Coach in a Drift of Snow

313. The Mail Coach in a Storm of Snow

314. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

315. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

316. Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy

317. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

318. A Strong Case for Shortening the Hours of Labour

319. The Ass and the Sick Lion

320. New Illustration of Hudibras

321. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

322. View of the Gate of St. Denis taken from the Suburbs

323. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

324. [One from] A Volume of Drawings and Prints

325. View of the Gate of St. Denis taken from the Suburbs

326. Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826

327. The Close of the Season

328. Landscape with a Man Washing His Feet at a Fountain, after Poussin

329. Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi

330. Janie Ellice: Full Length Sketch

331. Shakspeare

332. Eastern Letter Writer

333. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

334. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

335. Cotton Garden, Westminster

336. Coaching: A Scene at the Devil's Dyke near Brighton in the country of Sussex

337. Fox Hunting: Leicestershire - Full Cry

338. "By - he'll get to the Earth..."

339. Fox Hunting: Leicestershire - The Meeting

340. Fox Hunting: Leicestershire - Getting Away

341. Design for a Chapel at Enfield: Transverse Sections, East and West End

342. St. Mary, Rotherhithe

343. St. Michael Paternoster Royal

344. St. Michael, Cornhill

345. St. Nicholas Cole Abbey

346. All Hallows Lombard Street

347. The Parish Church of St. Barnabas Homerton

348. Plan of the Nunnery and Church of St. Helen

349. L'Eglise de St. Gervais et St. Protais

350. Abingdon

351. Approach to Venice

352. Château of Amboise

353. Calais

354. Edinburgh from Blackford Hill

355. Harfleur

356. Sir Charles Eastlake, R. A.

357. Dr. Johnson

358. Samuel Johnson

359. St. Mary, Aldermary

360. St. Mary, Woolnoth

361. St. Mary le Bow

362. Leeds

363. Covent Garden Market in the Year 1815

364. New London Bridge from Billingsgate (low water)

365. View of Waterloo Bridge

366. Royal Artillery Repository Exercises, 1844

367. His Majesty's Visit to Scotland

368. tms:36989

369. Benjamin West, Esqr.

370. Weathercote Cave when half filled with Water

371. Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars

372. E. Edwards, Associate and Teacher of Perspective in the Royal Academy

373. Crofton

374. Amboise