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Joseph Wright of Derby The Blacksmith's Shop
Joseph Wright of Derby, 1734–1797
The Blacksmith's Shop
1771
On view at YUAG
Robert Smirke The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Thomas Stothard An Unfinished Study of Venus and Adonis
Thomas Stothard, 1755–1834
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
Henry Howard Venus and Cupid
Henry Howard, 1769–1847
Venus and Cupid
1809
Not on view
William Hilton Cupid Armed
William Hilton, 1786–1839
Cupid Armed
ca. 1833
Not on view
George Richmond The Agony in the Garden
George Richmond, 1809–1896
The Agony in the Garden
1858
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
John Martin The Last Judgement (study)
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
unknown artist The Choir, Canterbury Cathedral
unknown artist
The Choir, Canterbury Cathedral
between 1712 and 1715
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
Joseph Highmore The Angel of Mercy
Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
Not on view
unknown artist The Assumption and Coronation of the Virgin
unknown artist
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
George Romney Fall of the Rebel Angels
George Romney, 1734–1802
Fall of the Rebel Angels
undated
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake Jerusalem, Plate 44, "With one accord...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
John Martin The Release of Saint Peter from Prison
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
George Richardson Design for a Ceiling
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
William Dickinson Mrs. Sheridan as 'St. Cecilia'
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
William Say Hagar and Ishmael
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
Richard Westall The Birth of Christ (Luke 2:15)
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
Charles Howard Hodges Guardian Angels
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
Johann Philip Koch Le Ete - Der Sommer
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
George Frederic Watts Studies for the Angels in The Court of Death
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
George Frederic Watts Study for a Circular Ceiling Decoration
George Frederic Watts, 1817–1904
Study for a Circular Ceiling Decoration
undated
Bernard Lens II Salvator Mundi
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
William Say The Ecstasy of St. Francis
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
Bernard Lens II Salvator Mundi
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
John Smith Plaudit Ave Regina
Print made by John Smith, 1652–1743
Plaudit Ave Regina
undated
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
Edward Francis Burney Allegory of Napoleonic Battles
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
Sir James Thornhill Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
unknown artist The Destruction of Sodom and Gomorrah
unknown artist
The Destruction of Sodom and Gomorrah
undated
Augustus Welby Northmore Pugin Sketches of the Butler-Bowden cope
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
Augustus Welby Northmore Pugin Elevation of a Baptismal Font
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
Edward Francis Burney Apollo and Phaeton
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
Augustus Welby Northmore Pugin Design for a Gothic Church Altar and Organ
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
Edward Francis Burney Heavenly Orchestra
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
Edward Francis Burney Heavenly Orchestra
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
Edward Francis Burney Female Figures and Putti Playing Musical Instruments
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
Edward Francis Burney Pastoral
Edward Francis Burney, 1760–1848
Pastoral
undated
Edward Francis Burney Designs for Illustrations to Beethoven's Works
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
Edward Francis Burney Allegory of Painting and Literature
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
Edward Francis Burney The Arts
Edward Francis Burney, 1760–1848
The Arts
undated
Edward Francis Burney Love Vindicated (L'Amour Vinqe')
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
Edward Francis Burney Charity
Edward Francis Burney, 1760–1848
Charity
undated
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
Isaac Taylor Unidentified Periodical/Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
John Linnell Job and His Family
circle of John Linnell, 1792–1882
Job and His Family
undated
John Linnell Satan Going Forth from the Presence of the Lord
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
John Baptist Jackson The Virgin in the Clouds and Six Saints
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
Benjamin Smith The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
Benjamin Smith, 1775–1833
The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
1799
John Linnell The Creation
circle of John Linnell, 1792–1882
The Creation
undated
John Linnell Satan before the Throne of God
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
John Linnell Title Page: Illustrations of the Book of Job
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825