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William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Beilby Syon House: Chapel
William Beilby, 1740–1819
Syon House: Chapel
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Thomas Bradshaw Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
William Callow Mont-Valérien from Bois de Boulogne
William Callow, 1812–1908
Mont-Valérien from Bois de Boulogne
1834
John Sell Cotman Castle in a Landscape
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
unknown artist View of Cumberland Terrace
unknown artist
View of Cumberland Terrace
undated
unknown artist A Village Street
unknown artist
A Village Street
undated
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
Francis Oliver Finch Classical Landscape with Figures
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
unknown artist Greenisland Looking Towards Carnck Castle, Belfast Lough
unknown artist
Greenisland Looking Towards Carnck Castle, Belfast Lough
undated
unknown artist Battersea
unknown artist
Battersea
undated
unknown artist South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
unknown artist
South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
undated
George Sidney Shepherd Wandshorst Church Surrey
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
unknown artist Botanical Garden/ Regent's Park 10 June 44
unknown artist
Botanical Garden/ Regent's Park 10 June 44
1844
unknown artist Shanklin Church/ Isle of Wight
unknown artist
Shanklin Church/ Isle of Wight
undated
unknown artist Great Oakley Hall, Northamptonshire
unknown artist
Great Oakley Hall, Northamptonshire
ca. 1840
Robert Streatfeild Llanerchydol Hall, Wales
Robert Streatfeild, 1786–1852
Llanerchydol Hall, Wales
undated
Charles Tomkins Swakeley House, Middlesex
Charles Tomkins, 1757–1823
Swakeley House, Middlesex
undated
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
unknown artist Design for a Greenhouse at Kew Gardens
unknown artist
Design for a Greenhouse at Kew Gardens
undated
James Wyatt Design for an Unidentified Country House
James Wyatt, 1746–1813
Design for an Unidentified Country House
ca. 1800
unknown artist Col. Floyd's Villa L -- (?) near Worthing
unknown artist
Col. Floyd's Villa L -- (?) near Worthing
undated
unknown artist Croydon Church
unknown artist
Croydon Church
undated
unknown artist Landscape by a Stream
unknown artist
Landscape by a Stream
undated
Charles Tomkins Boston Manor, Brentford, Middlesex
Charles Tomkins, 1757–1823
Boston Manor, Brentford, Middlesex
undated
Robert Adam Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873
Hartwell, Buckinghamshire
1833
Rev. Cooper Williams Denton Court
Rev. Cooper Williams
Denton Court
undated
unknown artist Design for a Country House
unknown artist
Design for a Country House
ca. 1840
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
unknown artist Unidentified Country House
unknown artist
Unidentified Country House
between 1700 and 1715
unknown artist Hawkstone Hall, Shropshire
unknown artist
Hawkstone Hall, Shropshire
ca. 1790
William Henry Hunt Bushey Church from the South West
William Henry Hunt, 1790–1864
Bushey Church from the South West
ca. 1820
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
William Henry Hunt A Farmyard
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
William Henry Hunt A Lodge at Cassiobury
William Henry Hunt, 1790–1864
A Lodge at Cassiobury
ca. 1820
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
John Linnell View at Mr. Sheppard's, The Ridge, Gloucestershire
John Linnell, 1792–1882
View at Mr. Sheppard's, The Ridge, Gloucestershire
undated
William Henry Hunt A Farmhouse
William Henry Hunt, 1790–1864
A Farmhouse
ca. 1817
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
John Sell Cotman The Norfolk Broads
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
Peter DeWint Malmesbury Abbey
attributed to Peter DeWint, 1784–1849
Malmesbury Abbey
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church and Monastery
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
Augustus Welby Northmore Pugin Bishop's Chapel Bishop Eton (built c. 1845-1850)
Print made by Augustus Welby Northmore Pugin, 1812–1852
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
F. Norice Greenwich, London in the Distance
F. Norice, 19th century
Greenwich, London in the Distance
undated
F. Norice Windsor Castle From the Long Walk
F. Norice, 19th century
Windsor Castle From the Long Walk
undated
Edward Francis Burney Thatched-roof Barn
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
Edward Francis Burney Landscape with Church
Edward Francis Burney, 1760–1848
Landscape with Church
undated
Thomas Hearne Haymaking
Thomas Hearne, 1744–1817
Haymaking
undated
John Le Capelain Figure Seated by a Stream at Sunset
John Le Capelain, 1812–1848
Figure Seated by a Stream at Sunset
undated
Robert Hills Studies of Farmhouses by a Gate, Ploughing and Harrows
Robert Hills, 1769–1844
Studies of Farmhouses by a Gate, Ploughing and Harrows
undated
Robert Hills Between Netley Heath and Albury
Robert Hills, 1769–1844
Between Netley Heath and Albury
undated