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Materials & Techniques gray ink
Remove constraint Materials & Techniques: gray inkOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Study of the Head of a Young Man
- undated
2
- Howard Visiting a Prison
- undated
3
- John Henderson as Falstaff
- 1780
4
- David before Saul
- undated
5
- Howard Visiting a Prison
- undated
6
- Satan Approaching the Court of Chaos
- 1784 to 1785
7
- Design for a Shop Front: Elevation
- undated
8
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
9
- The Mansion House
- undated
10
- View of Bath from Spring Gardens
- 1790
11
- Tivoli
- ca. 1768
12
- Lambeth Palace from Across the River
- undated
13
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
14
- Design for a Circular Domed Temple: Elevation
- undated
15
- Two Frigates before the Wind
- undated
16
- Scenery, Haymarket Theatre
- undated
17
- Firing a Salute
- 1770
18
- The Flagship of a Commander in Chief
- undated
19
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
20
- Italianate Landscape with Travellers no. 2
- ca. 1760
21
- Gateway and Facade of a House
- undated
22
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
23
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
24
- The Colosseum, Rome
- undated
25
- Colosseum, Rome, with Arch to the Left
- after 1770
26
- Harbledown, a Village near Canterbury
- 1757
27
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
28
- North East View of Mr. Hare's New House
- 1783
29
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
30
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
31
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
32
- The Gunpowder Magazine, Hyde Park
- ca. 1793
33
- Cobham Hall, Kent: Windows in Dairy
- 1795
34
- Rocky River Scene with Sepoys
- undated
35
- Tassisudon
- 1783
36
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
37
- Herstmonceux Castle, Sussex
- undated
38
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
39
- A View of Rome Taken from the Pincio
- 1776
40
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
41
- The Ruins of Carthage
- ca. 1769
42
- Landing Place at Pallanza
- undated
43
- The Open-Air Preacher
- undated
44
- Lake Nemi
- 1776
45
- Port d'Arona
- 1795
46
- Tree Study with Stags (Landscape)
- undated
47
- Unidentified Office or Stables: Front Elevation
- ca. 1720
48
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
49
- Farmyard Animals: Tribulation
- 1797
50
- The Seven Bishops Going To Trial
- 1790
51
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
52
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
53
- Design for the Parterre at Hampton Court
- early 18th century
54
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
55
- The Acacia Tree - Figures in a Park
- undated
56
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
57
- Design for Court of Edinburgh University
- 1779
58
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
59
- Unidentified Town House: Front Elevation
- undated
60
- Elevations of a Room
- undated
61
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
62
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
63
- London Cries: Flowers
- undated
64
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
65
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
66
- Westminster Bridge from Lambeth Walk
- undated
67
- Political Caricature: "The Spiritualists"
- undated
68
- Haymaking
- 1792
69
- Position pour la Garde en Quarte
- 1763
70
- Position pour la Garde en Tierce
- 1763
71
- Premiere Position pour tirer L'Epée
- 1763
72
- Quatrieme Position du Salut
- 1763
73
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
74
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
75
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
76
- De la Parade de Prime sur le Coup de Seconde
- 1763
77
- De la Parade Dequinte sur le Coup de Quinte
- 1763
78
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
79
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
80
- De la Passe en Quarte du Dehors des Armes
- 1763
81
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
82
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
83
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
84
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
85
- De la Volte sur la Passe au Dehors des Armes
- 1763
86
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
87
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
88
- View from a Riverbank
- undated
89
- A Dwelling
- ca. 1760
90
- View of Windermere
- between 1762 and 1783
91
- River Landscape with Castle in the Distance
- 1766
92
- Two Trees in a Landscape
- between 1762 and 1783
93
- Landscape with Road Leading to Abbey
- 1762
94
- Landscape with Castle on Riverbank
- 1763
95
- Three Figures in a Landscape
- 1766
96
- Mountain Landscape
- between 1762 and 1783
97
- Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
- undated
98
- Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
- undated
99
- Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
- undated
100
- Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
- undated