Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
5
Thomas Crofton Croker, 1798–1854
Houses at Kilmallock
undated
6
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
7
Edward Francis Burney, 1760–1848
Norbury Park
undated
8
Edward Francis Burney, 1760–1848
Watley
undated
9
Edward Francis Burney, 1760–1848
Musicians
undated
10
Edward Francis Burney, 1760–1848
Elevation of a House
undated
11
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
12
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
13
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
14
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
15
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
16
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
17
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
18
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
19
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
20
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
21
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
22
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
23
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
24
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
25
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
26
Robert Mabon, died 1798
Retreat Beating at Poona
undated
27
Gangaram Chintaman Tambat, active 1790s
Drawing of a Column from Ekvera
undated
28
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
29
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
30
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
31
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
32
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
33
Peter Casteels, 1684–1749
Feeding Ducks
undated
34
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
35
Charles Hamilton Smith, 1776–1859
Porch with Statuary, Easton Neston, Northants
undated
36
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
37
William Collins, 1788–1847
Dartmouth
undated
38
Frederick Catherwood, 1799–1854
Mountain Road
undated
39
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
40
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
41
Charles Hamilton Smith, 1776–1859
Hall, Easton Neston, Northants
undated
42
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
43
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
44
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
45
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
46
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
47
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
48
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
49
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
50
Edward Francis Burney, 1760–1848
Wedding of a God
undated
51
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
52
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
53
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
54
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
57
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
58
unknown artist
Grave of the Supposed William Lyndewode
1852
59
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
60
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
61
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
62
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
63
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
64
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
65
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
66
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
67
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
68
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
69
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
70
Sawrey Gilpin, 1733–1807
Two Mares with their Foals
undated
71
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
72
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
73
unknown artist
Peers' Entrance
undated
74
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
75
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
79
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
80
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
82
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
87
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
88
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
89
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
90
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
91
Dr. William Crotch, 1775–1847
View of Windsor from down the River
1832
92
George Cruikshank, 1792–1878
Conjurer with Pistol and Cards
ca. 1826
93
Isaac Cruikshank, 1764–1811
Embarking on the Ferry
undated
94
Isaac Cruikshank, 1764–1811
The Flight
undated
95
Jean B. C. Chatelain, 1710–1771
Classical Landscape with Figures
undated
96
Charles Golding Constable, 1821–1879
Shipping Scene
undated
97
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
98
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel