Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
ca. 1690
25
James Howe, 1780–1836
Scene with Horse and Rider
undated
26
Walter Greaves, 1846–1930
Old Chelsea Church
undated
27
Walter Greaves, 1846–1930
The Old Black Lion, Chelsea
undated
28
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
29
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
30
unknown artist
Design for the Decoration of a Staircase
undated
31
Attributed to office of Robert Adam, 1728–1792
Design for a Door-knocker
undated
32
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
33
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
34
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
35
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
36
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
37
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
1765
38
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan
1798
39
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
ca. 1790
40
James Wyatt, 1746–1813
Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
1798
41
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the chamber story of part of the offices
1798
42
Paul Sandby, 1731–1809
Romantic Landscape with Figures and a Dog
undated
43
Sir James Thornhill, 1675–1734
Neptune
undated
44
James Barry, 1741–1806
Rome, A View of the Arch of Constantine with Other Ruins
undated
45
unknown artist
The Tea Party
undated
46
Paul Sandby, 1731–1809
Election Scene
undated
47
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
48
William Pars, 1742–1782
A View at Lucerne
1775
49
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's
ca. 1790
50
unknown artist
Design for an Altarpiece with a drawing of St. Luke mounted at the center
undated
51
Francis Place, 1647–1728
Panorama of Bristol
1678
52
Hugh William "Grecian" Williams, 1773–1829
Wychwood Forest
1806
53
unknown artist
Copy of a Study for a Ceiling Decoration
undated
54
James Bruce, 1730–1794
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
55
William Townesend, 1676–1739
Queen's College, Oxford: Plan and Elevation of Hall and Chapel
undated
56
Sir John Vanbrugh, 1664–1726
Kings Weston, Bristol: Entrance Front Elevation
ca. 1710
57
Roger Morris, 1695–1749
Whitton House, Middlesex: Mezzanine and Attic Floor Plans
between 1732 and 1739
58
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
59
Attributed to Edward Byng, c. 1676–1753
General Joseph Sabine
undated
60
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
61
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
62
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
63
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
64
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
65
unknown artist
Scarborough
undated
66
Edward Byng, c. 1676–1753
A Gentleman, wearing a Long Buttoned Coat with Large Cuffs
undated
67
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
68
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
69
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
70
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
71
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Front Hall
1771
72
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
73
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
74
unknown artist
Lullingstone Castle
ca. 1670
75
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
76
Arthur Pond, ca. 1705–1758
The Arch of Titus from the Forum, Rome
ca. 1725
77
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
78
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
79
Sir James Thornhill, 1675–1734
Design for a Mythological Scene, with Jupiter and Juno
undated
80
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
81
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
82
unknown artist
A Temple
ca. 1780
83
attributed to William Henry Hunt, 1790–1864
Beauvais
ca. 1831
84
John Baverstock Knight, 1785–1859
Tree Study
undated
85
William Green, 1760–1823
Landscape with River and a Bridge
undated
86
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816
87
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
88
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
89
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
90
John Thomas Smith, 1766–1833
The Smock Exposed
1817
91
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
92
John Thomas Smith, 1766–1833
The Reconcilation
1817
93
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
94
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
95
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
96
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
97
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
98
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
99
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
100
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family