Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
7
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
8
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
9
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
10
attributed to John Constable, 1776–1837
A View on the Orwell
undated
11
John Constable, 1776–1837
Brighton Beach Looking West
undated
12
after George Stubbs, 1724–1806
Horses Fighting
undated
13
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
14
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
15
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
16
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
17
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
18
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
19
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
20
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
21
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
22
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
23
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
24
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
25
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
26
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
27
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
28
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
29
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
30
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
31
Edward Lear, 1812–1888
Just above Ekhmim
1867
32
Edward Lear, 1812–1888
Karnak, 10:00 pm, 22 January 1867 (213)
1867
33
Edward Lear, 1812–1888
Abu Seer
1867
34
Edward Lear, 1812–1888
Abu Seer
1867
35
Edward Lear, 1812–1888
Near Daboad
1867
36
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
37
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
38
Edward Lear, 1812–1888
Near Aswan
1867
39
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
40
Edward Lear, 1812–1888
El Areesh (Torrens Ægypti)
1867
41
Edward Lear, 1812–1888
Near Khan Yunas
1867
42
Edward Lear, 1812–1888
Negadeh
1867
43
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
44
Edward Lear, 1812–1888
Abu Seer
1867
45
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
46
Edward Lear, 1812–1888
Near Gezir Shendowiel
1867
47
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
48
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
49
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
50
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
51
Edward Lear, 1812–1888
Catania
1847
52
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
53
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
54
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
55
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
56
Print made by William Blake, 1757–1827
Pity
ca. 1795
57
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
58
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
59
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
60
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
61
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
62
George Romney, 1734–1802
Borghese Gladiator
undated
63
George Romney, 1734–1802
Howard Visiting a Prison
undated
64
George Romney, 1734–1802
John Henderson as Falstaff
1780
65
Peter La Cave, active 1769–1810
Haymakers
undated
66
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
67
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
68
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
69
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
70
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
71
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
72
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
73
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
74
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
75
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
76
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
77
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
78
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
79
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
80
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
81
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
82
John Thomas Smith, 1766–1833
The Smock Exposed
1817
83
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
84
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
85
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
86
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
87
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
88
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
89
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
90
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
91
unknown artist
Portrait of Moses Kean
undated
92
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
93
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
94
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
95
Ensign Caldwell, c.1800
Prince of Wales Island, Penang
undated
96
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
97
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
98
Sir Robert Ker Porter, 1777–1842
A French Dragoon
ca. 1810
99
Sir Robert Ker Porter, 1777–1842
A British Officer of the Staff and an Officer of Hussars