Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
439
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
440
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
441
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
442
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
443
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
444
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
445
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
446
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
447
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
448
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
449
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
450
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
451
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
452
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
453
George Romney, 1734–1802
Temptation of Christ
undated
454
George Romney, 1734–1802
Temptation of Christ
undated
455
George Romney, 1734–1802
Fiends for the Temptation of Christ
undated
456
George Romney, 1734–1802
Devils for the Temptation of Christ
undated
457
George Romney, 1734–1802
Attacking Demons for the Temptation of Christ
undated
458
George Romney, 1734–1802
Sketch for Howard Scene
undated
459
George Romney, 1734–1802
Temptation of Christ
undated
460
George Romney, 1734–1802
Tempest, Version A
undated
461
George Romney, 1734–1802
Temptation of Christ
undated
462
George Romney, 1734–1802
Temptation of Christ
undated
463
George Romney, 1734–1802
Possibly a Deposition
undated
464
George Romney, 1734–1802
Pharmarus Raises the Phantom before Kunaza
undated
465
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
466
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
467
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
468
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
469
George Romney, 1734–1802
Howard Visiting a Prison
between 1790 and 1794
470
George Romney, 1734–1802
The Two Friends
undated
471
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
472
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
473
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
474
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
475
William Blake, 1757–1827
A Visionary Head
1819 to 1820
476
Louis Philippe Boitard, active 1734–1760
A Young Peasant Girl with Arms Folded
undated
477
Louis Philippe Boitard, active 1734–1760
Woman with a Blue Smock
undated
478
Attributed to Queen Victoria, 1819–1901
Queen Anne
1857
479
James Roberts, active 1766–1809
A Woman of Fashion in Walking Dress
undated
480
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
481
James Ward, 1769–1859
A Shepherd Boy
undated
482
Benjamin West, 1738–1820
Page Boy Asleep
undated
483
Benjamin West, 1738–1820
Artist's Son Writing
undated
484
Mather Brown, 1761–1831
A Page Boy in Blue with a Red Shield
undated
485
John Singleton Copley, 1738–1815
Study for the Central Group in the "Death of Earl of Chatham"
1778
486
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
487
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
488
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
489
Henry William Bunbury, 1750–1811
The Broken Pipe
undated
490
Sir David Wilkie, 1785–1841
Arms of the Girl Standing in the Center
1806
491
Sir Joshua Reynolds, 1723–1792
Sheet of Figure Studies from Raphael's Disputation
undated
492
unknown artist
The Death of Cordelia
undated
493
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
494
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck