Collection: Prints and Drawings / Subject Terms: clouds - YCBA Collections Search Search Results

101. Jerusalem, Plate 20, "But when they saw Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Jerusalem, Plate 31, "His western heaven...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Jerusalem, Plate 12, "Why wilt thou give to her...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. The Poems of Thomas Gray, Design 59, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Poems of Thomas Gray, Design 63, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Poems of Thomas Gray, Design 99, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Poems of Thomas Gray, Design 95, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. America. A Prophecy, Plate 6, "Appear to the Americans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Thomas Alphonso Hayley, Half-Length Drawing

Creator:: attributed to William Blake, 1757–1827
Date:: ca. 1800
Materials & Techniques:: Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

134. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

137. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Miranda, Prospero, and Caliban: The Tempest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 22 1/8 inches (39.4 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

140. Aerial Group: The Tempest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 x 6 3/8 inches (9.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

141. Shepherdess Cutting an Inscription on a Tree

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

142. Landscape

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

143. Road Between Hills

Creator:: pupil of John Malchair, 1730–1812
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

Creator:: John Nixon, ca. 1760–1818
Date:: 1804
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 × 6 1/8 inches (8.6 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Mountainous Landscape with Cows

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 7/16 inches (18.1 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Design for a Mythological Scene, with Jupiter and Juno

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Design for a Wall Panel

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Roundway Park, Wiltshire: Exterior View

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Seascape with Ship and Overhanging Sky

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium,smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 5 1/2 inches (11.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Between Netley Heath and Albury

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 1/4 inches (19.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. A Windy Day

Creator:: John Linnell, 1792–1882
Date:: 1815
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 inches (15.6 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. On the Rhone

Creator:: Mary Harcourt, 1750–1833
Date:: ca. 1780
Materials & Techniques:: Brushed brown ink, brown wash, gray wash, graphite, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 11 5/8 inches (17.8 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Beach Scene with Figures by a Breakwater

Creator:: James Holland, 1799–1870
Date:: 1861
Materials & Techniques:: Watercolor and white gouache and graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. French Coast Scene with Fisherboy

Creator:: James Duffield Harding, 1798–1863
Date:: 1829
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, pen and gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 3/4 inches (37.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. The Grand Canal, Venice

Creator:: James Duffield Harding, 1798–1863
Date:: 1835
Materials & Techniques:: Watercolor, with pen in brown and blue ink, gouache and arabic gum over graphite on moderately thick, moderately textured, cream wove paper, stretched over solid wooden frame
Dimensions:: Sheet: 30 x 41 3/16 inches (76.2 x 104.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Welsh Landscape

Creator:: Attributed to William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Moorland with Sheep and Shepherd

Creator:: Claude Hayes, 1852–1922
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 29 1/4 inches (49.2 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. View of Lakes Buttermere and Crummock Water

Creator:: William Green, 1760–1823
Date:: 1803
Materials & Techniques:: Watercolor and gum over graphite on medium, smooth wove paper mounted on card
Dimensions:: Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

159. Cloud Study - Blue and Red Flecked Alto - Cumulus

Creator:: Attributed to Thomas Lindsay, 1793–1861
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 5/8 × 5 7/8 inches (6.7 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Mountain Rocks

Creator:: David Hall McKewan, 1816–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 16 5/8in. (24.1 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. The Walls of Jericho

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Christ Stilling the Tempest

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Study for a Circular Ceiling Decoration

Creator:: George Frederic Watts, 1817–1904
Date:: undated
Materials & Techniques:: Pen and brown ink and black ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 × 6 inches (21.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

165. Le Pont Royal, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: ca. 1828
Materials & Techniques:: Watercolor with pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Near Penrith

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 15 3/8 inches (15.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Carnarvon

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Cottage in a Cornfield

Creator:: Attributed to David Lucas, 1802–1881
Date:: 1844
Materials & Techniques:: Etching and roulette on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 7 inches (20.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Greenwich

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 10 inches (28.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Landscape with Trees

Creator:: Sir James Guthrie, 1859–1930
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 5/8 × 2 1/4 inches (24.4 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of William Edwin Mitchell, M.A. 1964

171. St. Donat's Castle, Glamorganshire

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:: Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Drifting

Creator:: Edward John Gregory, 1850–1909
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 10 inches (35.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

173. In Richmond Park

Creator:: John William Inchbold, 1830–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Swiss Valley Landscape

Creator:: John William Inchbold, 1830–1888
Date:: 1885
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper with gilt edges
Dimensions:: Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. The Beautiful Vale and Mowddach River, Merionethshire

Creator:: Moses Griffith, 1747–1819
Date:: 1805
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. The Lecture House, Watford

Creator:: Thomas Hearne, 1744–1817
Date:: 1807
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Romantic Landscape

Creator:: Samuel Jackson, 1794–1869
Date:: ca. 1830
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Two Riders Fording a River

Creator:: Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash over graphite with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 16 1/2 inches (31.4 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Dutch Fishing Boats at Anchor in an Estuary

Creator:: William Joy, 1803–1867
Date:: undated
Materials & Techniques:: Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 16 1/4in. (28.7 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Wispy Cloud Above an Alpine Formation

Creator:: Attributed to Thomas Lindsay, 1793–1861
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 × 6 inches (6.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Cloud Study - Cumulus

Creator:: attributed to Thomas Lindsay, 1793–1861
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 × 5 inches (6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Sky Study, No. 2

Creator:: Attributed to Thomas Lindsay, 1793–1861
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 5/8 × 4 1/4 inches (6.7 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Sky Study, No. 5

Creator:: Attributed to Thomas Lindsay, 1793–1861
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 5 1/8 inches (7 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Moonlit Landscape with a Ruined Castle

Creator:: John Martin, 1789–1854
Date:: between 1820 and 1830
Materials & Techniques:: Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. The Assumption

Creator:: John Baptist Medina, 1655–60–1710
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Addington Place, Surrey

Creator:: John Preston Neale, 1771/80–1847
Date:: 1813
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 16 5/16in. (27.3 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Study for Ceiling: Apollo and other Figures

Creator:: Attributed to Domenico Mondo, 1723– c.1808
Date:: undated
Materials & Techniques:: Watercolor, gouache, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 7 1/4in. (25.1 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Apsley House and Piccadilly ... from Hyde Park Corner

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Classical Landscape

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:: Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. A View at Terracina

Creator:: Jacob More, 1740–1793
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:: Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Unidentified Landscape: Trees with Church

Creator:: William Pearson, 1772–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 11 inches (17.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. River Landscape

Creator:: Aaron Edwin Penley, 1807–1870
Date:: undated
Materials & Techniques:: Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 8 1/8 inches (12.1 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Mole Head, Algiers

Creator:: Nicholas Pocock, 1740–1821
Date:: 1816
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 11 1/4 inches (10.8 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Design for an Unidentified Country House

Creator:: James Wyatt, 1746–1813
Date:: ca. 1800
Materials & Techniques:: Watercolor and graphite, with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 29 1/4 inches (51.8 x 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. View of the Pantheon from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Snowdon, an Approaching Storm

Creator:: James Ward, 1769–1859
Date:: 1853
Materials & Techniques:: Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 12 3/4 inches (17.1 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Greenwich Hospital from Woolwich Reach

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Subject Terms clouds

Search Results

101. Jerusalem, Plate 20, "But when they saw Albion...."

102. Jerusalem, Plate 31, "His western heaven...."

103. Jerusalem, Plate 70, "And this the form of mighty Hand...."

104. Jerusalem, Plate 12, "Why wilt thou give to her...."

105. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

106. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

107. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

108. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

109. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

110. The Poems of Thomas Gray, Design 59, "The Bard."

111. The Poems of Thomas Gray, Design 63, "The Bard."

112. The Poems of Thomas Gray, Design 65, "The Bard."

113. The Poems of Thomas Gray, Design 99, "Ode for Music."

114. The Poems of Thomas Gray, Design 95, "Ode for Music."

115. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

116. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

117. For the Sexes: The Gates of Paradise, Plate 6, "Air"

118. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

119. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

120. America. A Prophecy, Plate 16, "In the Flames Stood...."

121. America. A Prophecy, Plate 2, Title Page

122. America. A Prophecy, Plate 6, "Appear to the Americans...."

123. America. A Prophecy, Plate 8, "The Morning Comes...."

124. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

125. America. A Prophecy, Plate 1, Frontispiece

126. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

127. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

128. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

129. America. A Prophecy, Plate 10, "The Terror Answered...."

130. Abraham and Isaac

131. Christ Giving Sight to Bartimaeus

132. Moses Receiving the Law

133. Thomas Alphonso Hayley, Half-Length Drawing

134. Satan Approaching the Court of Chaos

135. The Parable of the Wise and Foolish Virgins

136. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

137. The Man Sweeping the Interpreter's Parlour

138. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

139. Miranda, Prospero, and Caliban: The Tempest

140. Aerial Group: The Tempest

141. Shepherdess Cutting an Inscription on a Tree

142. Landscape

143. Road Between Hills

144. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

145. Mountainous Landscape with Cows

146. Design for a Mythological Scene, with Jupiter and Juno

147. Design for a Wall Panel

148. Roundway Park, Wiltshire: Exterior View

149. Seascape with Ship and Overhanging Sky

150. Between Netley Heath and Albury

151. A Windy Day

152. On the Rhone

153. Beach Scene with Figures by a Breakwater

154. French Coast Scene with Fisherboy

155. The Grand Canal, Venice

156. Welsh Landscape

157. Moorland with Sheep and Shepherd

158. View of Lakes Buttermere and Crummock Water

159. Cloud Study - Blue and Red Flecked Alto - Cumulus

160. Mountain Rocks

161. The Walls of Jericho

162. The Rescue of Lot

163. Christ Stilling the Tempest

164. Study for a Circular Ceiling Decoration

165. Le Pont Royal, Paris

166. Near Penrith

167. Carnarvon

168. Cottage in a Cornfield

169. Greenwich

170. Landscape with Trees

171. St. Donat's Castle, Glamorganshire

172. Drifting

173. In Richmond Park

174. Swiss Valley Landscape