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Genre religious and mythological subject

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Samuel Colman The Rock of Salvation
Samuel Colman, 1780–1845
The Rock of Salvation
1837
Not on view
Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Maria Hadfield Cosway The Judgement of Korah, Dathan and Abiram
Maria Hadfield Cosway, 1759–1838
The Judgement of Korah, Dathan and Abiram
ca. 1801
Not on view
John Martin The Last Judgement (study)
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
Louis Laguerre The Rape of Proserpine, design for the staircase of Devonshire House, London
Louis Laguerre, 1663–1721
The Rape of Proserpine, design for the staircase of Devonshire House, London
ca. 1704
Not on view
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "To the Christians..." (Plate 77)
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
unknown artist God Creating the Universe
unknown artist
God Creating the Universe
ca. 1800
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1818
Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling
follower of Sir James Thornhill, 1675–1734
The Fall of Phaeton: A Study for a Ceiling
undated
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Joseph Powell Winchester Cross
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
John Martin The Walls of Jericho
John Martin, 1789–1854
The Walls of Jericho
1834
John Martin Christ Stilling the Tempest
Attributed to John Martin, 1789–1854
Christ Stilling the Tempest
undated
John Baptist Medina The Assumption
John Baptist Medina, 1655–60–1710
The Assumption
undated
Domenico Mondo Study for Ceiling: Apollo and other Figures
Attributed to Domenico Mondo, 1723– c.1808
Study for Ceiling: Apollo and other Figures
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
Isaac Fuller Putto Holding a Torch
Print made by Isaac Fuller, 1606/20–1672
Putto Holding a Torch
undated
Arthur Burgess Venus, after Masters of Tarrochi
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
Edward Francis Burney Apollo and Phaeton
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
Richard Westall The Annunciation (Luke 1:26)
Richard Westall, 1765–1836
The Annunciation (Luke 1:26)
before 1836
Richard Westall The Birth of Christ (Luke 2:15)
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
Richard Westall Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29)
Richard Westall, 1765–1836
Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29)
before 1835
Charles Howard Hodges Hebe
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
William Dickinson Mrs. Sheridan as 'St. Cecilia'
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
John Doyle ('H.B.') The Fates
Print made by John Doyle ('H.B.'), 1797–1868
The Fates
1847
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Bernard Lens II Bacchus and Ariadne
Print made by Bernard Lens II, 1659–1725
Bacchus and Ariadne
undated
John Smith, the mezzotinter Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death
Print made by John Smith, the mezzotinter, 1652–1743
Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death
undated
John Smith, the mezzotinter The Triumph of Galatea
Print made by John Smith, the mezzotinter, 1652–1743
The Triumph of Galatea
1701
Bernard Lens II Endymion and Diana
Print made by Bernard Lens II, 1659–1725
Endymion and Diana
undated