Materials & Techniques: laid paper / Image Available: Unavailable

301. Sphyrna zygaena (Hammer-headed Shark)

Creator:: Luigi Balugani, 1737–1770
Date:: 1765-1773
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Phoenicopterus roseus (Greater Flamingo)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Oenostachys abyssinica (A. Rich.) N.E. Br. (Ethiopian Gladiolus): finished drawing of plant in flowers

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. A Fish, Zeezan jidda

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Fennecus verdus (Fennec)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 12 3/8 inches (24.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Saba comorensis (Bojer) Pichon: finished drawing of flowering shoot

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Pomona

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

308. Children's Bacchanal

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

309. An Indian Queen

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: between 1680 and 1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 3 3/8 inches (12.1 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

310. An Indian King

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 3 7/16 inches (12.2 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

311. Boy Spinning Top

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 inches (33.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

312. Ghismonda

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 13/16 × 11 11/16 inches (45.2 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

313. The Judgement of Paris

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680s to 1690s
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

314. Woman Seated in a Landscape with a Bridge

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1695
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 7 3/4 inches (14.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

315. Susanna and the Elders

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/16 × 10 3/16 inches (34.1 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

316. Winter

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 6 3/8 inches (21.6 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

317. Diana at a Fountain

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, state before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

318. Good Samaritan

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, with burinwork on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 9/16 inches (22.9 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

319. Shepherdess Seated by a Fountain

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, with burinwork on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 9/16 × 6 15/16 inches (14.1 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

320. Autumnus

Creator:: Print made by Pieter Schenck I, 1660–1719
Date:: 1680s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

321. A Flower Piece

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

322. Basket of Flowers

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 15/16 inches (22.5 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

323. Statoribus Artis

Creator:: Print made by Johann Kenckel, 1688–1722
Date:: between 1708 and 1722
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 12 3/8 inches (46 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

324. Statoribus Artis

Creator:: Print made by Johann Kenckel, 1688–1722
Date:: between 1708 and 1722
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

325. R. 42. Greenock, No. 1. No. 13 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 1/2 inches (34 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

326. The Paris Set: R. 362 Saint Germain l'Auxerrois

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, smooth, cream laid paper
Dimensions:: Sheet: 13 7/8 × 7 1/8 inches (35.2 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

327. The Paris Set: R. 364 Saint Gervais, Rue des Barres

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

328. Rainy Night, Charing Cross Station

Creator:: Print made by Joseph Pennell, 1860–1926
Date:: 1886
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

329. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/4 inches (24.1 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

330. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Italianate Garden Terrace

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 7 15/16 inches (27 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

343. The Sacrifice of Isaac

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

344. The Good Herdsman

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 7 3/4 inches (14.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

345. The Musical Lady

Creator:: Print made by James Watson, 1740–1790
Date:: 1777
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 15/16 × 12 7/8 inches (45.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

346. The Paris Set: Hôtel de Sens

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 8 5/8 inches (34.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

347. The Paris Set: R. 365 Restaurant Cavalier

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching (touched with drypoint) on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 9 3/4 inches (21.6 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

348. The Paris Set: R. 366 Rue Saint Julien le Pauvre

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

349. Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Creator:: Henry Holland, 1745–1806
Date:: between 1783 and 1796
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor, and graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 17 7/8 × 36 11/16 inches (45.4 × 93.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Portrait Study of a Young Man, possibly Frank Issom

Creator:: attributed to John Hoppner, 1758–1810
Date:: undated
Materials & Techniques:: Pastel, red chalk, black chalk, and white chalk on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. The Northumberland

Creator:: John Hood, active 1762–1771
Date:: 1763
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 42 3/8 inches (71.1 × 107.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.

Creator:: Stephen Riou, 1720–1780
Date:: 1763
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 9/16 × 24 7/16 inches (42 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

353. Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

Creator:: Stephen Riou, 1720–1780
Date:: 1762
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 7 5/16 x 20 7/8 inches (18.6 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

354. Design for a villa: `The Ground Plan and Elevations of a Villa'

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 15 3/4 × 24 7/16 inches (40 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

355. Joseph Hickey, Jr.

Creator:: Thomas Hickey, 1741–1824
Date:: 1778
Materials & Techniques:: Pastel, white chalk, black chalk, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 × 7 7/8 inches (25.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Study of a Man Standing

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1757
Materials & Techniques:: Black chalk on medium, slightly textured, beige laid paper, mounted on very thick, moderately textured, cream wove paper, with gold leaf, and brown and red ink border lines
Dimensions:: Mount: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Design for a substantial villa. The `Forefront' and profile plan of the front elevation.

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 15/16 × 24 7/16 inches (43 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

358. Portrait of an Unknown Man in a Full-Bottomed Wig

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pastel, black chalk, and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 10 3/8 inches (33 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Portrait of a Lady

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pastel, black chalk, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 9 1/4 inches (29.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Design for a Wine Cooler

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, pen and black ink, watercolor on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 8 3/8 inches (19.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Elevation of a Bedchamber with Corinthian Decoration

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 22 3/4 inches (47.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Sketch of a Woman and a Dog

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thin, smooth, beige laid paper
Dimensions:: Sheet: 6 × 4 3/8 inches (15.2 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Alms-Houses at Greenhithe, Kent

Creator:: unknown artist
Date:: 1774
Materials & Techniques:: Pen and black ink, wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 1/16 × 8 1/4 inches (20.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Design for an Altar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 9 5/16 × 14 1/2 inches (23.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Cobham Hall, Kent: Plan and Elevations of the Music Hall

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor and gray wash on thick, moderately textured, cream wove paper with flaps of moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 20 5/8 × 26 7/8 inches (52.4 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Design for Herms

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 × 9 5/8 inches (25.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite on cream wove tracing paper; laid on smooth, moderately thick, cream laid paper
Dimensions:: Sheet: 20 7/8 × 16 1/16 inches (53 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor on textured, thick, cream laid paper
Dimensions:: Sheet: 17 5/8 × 25 7/8 inches (44.8 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and pink ink, graphite, watercolor on smooth, thin, cream wove paper laid on smooth, moderately thick, cream laid paper
Dimensions:: Sheet: 25 7/8 × 18 3/4 inches (65.7 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite and watercolor; (verso) pen and pink and black ink on smooth, thin, beige tracing paper laid on smooth, moderately thick, white laid paper
Dimensions:: Sheet: 24 1/2 × 17 11/16 inches (62.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/4 × 26 1/16 inches (45.1 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 24 3/4 inches (44.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 18 × 26 3/8 inches (45.7 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 7/8 inches (26 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 3/8 inches (37.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. La Fontaine de Topana a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Rue Pigale, Quai D'Orsay: Elevation View

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Ink on slightly textured, thin, cream wove paper laid on smooth, thick, cream laid paper
Dimensions:: Sheet: 12 3/4 × 19 1/8 inches (32.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 3/4 inches (42.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/8 inches (18.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. La Fontaine de Ste. Sophie a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pena dn black and brown ink, watercolor, graphite on textured, thick, beige laid paper
Dimensions:: Sheet: 18 1/4 × 26 1/8 inches (46.4 × 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and brown ink, watercolor on slightly textured, thin, cream wove paper on smooth, thick, cream laid paper
Dimensions:: Sheet: 15 9/16 × 20 7/16 inches (39.5 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 1/2 × 13 inches (31.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 × 13 3/8 inches (30.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 5/16 × 14 7/8 inches (26.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Cobham Hall, Kent: Dressing Room Ceiling

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 7/8 × 13 7/8 inches (50.5 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Cobham Hall, Kent: Elevation of the Office

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 20 1/2 inches (27.3 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Cobham Hall, Kent: Section of the Dining Parlor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Cobham Hall, Kent: Section of a Courtyard

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 21 1/8 inches (34.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Cobham Hall, Kent: Section of a Hallway

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 16 1/4 inches (32.7 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Cobham Hall, Kent: Landscape drawing for Cobham Hall

Creator:: Humphry Repton, 1752–1818
Date:: ca. 1790
Materials & Techniques:: Watercolor, graphite and brown ink on slightly textured, moderately thick, beige laid paper
Dimensions:: Sheet: 12 1/8 × 25 1/4 inches (30.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Children Playing

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 3/16 x 14 7/16 inches (33.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

399. Sir Abraham Hume

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 13/16 × 7 7/16 inches (22.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. James Innes-Ker, 5th Duke of Roxburghe

Creator:: Valentine Green, 1739–1813
Date:: 1807
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/16 × 15 inches (46.5 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques laid paper

Image Available Unavailable

Search Results

301. Sphyrna zygaena (Hammer-headed Shark)

302. Phoenicopterus roseus (Greater Flamingo)

303. Oenostachys abyssinica (A. Rich.) N.E. Br. (Ethiopian Gladiolus): finished drawing of plant in flowers

304. A Fish, Zeezan jidda

305. Fennecus verdus (Fennec)

306. Saba comorensis (Bojer) Pichon: finished drawing of flowering shoot

307. Pomona

308. Children's Bacchanal

309. An Indian Queen

310. An Indian King

311. Boy Spinning Top

312. Ghismonda

313. The Judgement of Paris

314. Woman Seated in a Landscape with a Bridge

315. Susanna and the Elders

316. Winter

317. Diana at a Fountain

318. Good Samaritan

319. Shepherdess Seated by a Fountain

320. Autumnus

321. A Flower Piece

322. Basket of Flowers

323. Statoribus Artis

324. Statoribus Artis

325. R. 42. Greenock, No. 1. No. 13 in the Clyde Set

326. The Paris Set: R. 362 Saint Germain l'Auxerrois

327. The Paris Set: R. 364 Saint Gervais, Rue des Barres

328. Rainy Night, Charing Cross Station

329. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

330. Christ Descending into the Grave

331. Death's Door

332. Robert Blair, The Grave, Title Page

333. The Descent of Man into the Vale of Death

334. The Death of the Good Old Man

335. The Soul Hovering over the Body reluctantly Parting with Life

336. The Soul Exploring the Recesses of the Grave

337. The Counsellor, King, Warrior, Mother & Child, in the Tomb

338. The Reunion of the Soul & the Body

339. The Meeting of a Family in Heaven

340. The Day of Judgment

341. Death of the Strong Wicked Man

342. Italianate Garden Terrace

343. The Sacrifice of Isaac

344. The Good Herdsman

345. The Musical Lady

346. The Paris Set: Hôtel de Sens

347. The Paris Set: R. 365 Restaurant Cavalier

348. The Paris Set: R. 366 Rue Saint Julien le Pauvre

349. Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

350. Portrait Study of a Young Man, possibly Frank Issom

351. The Northumberland

352. Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.

353. Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

354. Design for a villa: `The Ground Plan and Elevations of a Villa'

355. Joseph Hickey, Jr.

356. Study of a Man Standing

357. Design for a substantial villa. The `Forefront' and profile plan of the front elevation.

358. Portrait of an Unknown Man in a Full-Bottomed Wig

359. Portrait of a Lady

360. Design for a Wine Cooler

361. Elevation of a Bedchamber with Corinthian Decoration

362. Sketch of a Woman and a Dog

363. Alms-Houses at Greenhithe, Kent

364. Design for an Altar

365. Cobham Hall, Kent: Plan and Elevations of the Music Hall

366. Design for Herms

367. Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

368. Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante

369. Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan

370. Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan

371. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

372. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

373. Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer

374. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif