Materials & Techniques: aquatint / On-site Access: Accessible by appointment in the Study Room

401. Antony's Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1928
Materials & Techniques:: Etching, aquatint, drypoint, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

402. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: after 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

Creator:: John William Edy, 1760–1820
Date:: 1797
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Glen Crowe, Western Highlands, Scotland

Creator:: after unknown artist
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. View of the Port of Liverpool

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 26 5/16 inches (53.3 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. A Sloop of War in a Light Breeze

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 7/16 inches (26.7 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. A First Rate after a Storm

Creator:: J. Hill, active 19th century
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 9/16 inches (26.6 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. The Sieve Mender

Creator:: Print made by William Strang, 1859–1921
Date:: 1884
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

409. Malmsbury Abbey

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Back Entrance to Solomon's Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

411. Barmouth, Merionethshire

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

412. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Buckingham Stairs Water Gate

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Hand colored aquatint on smooth, medium, beige wove paper
Dimensions:: Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. View of Sion House from the Banks of the Thames

Creator:: John Hassell, 1767–1825
Date:: 1799
Materials & Techniques:: Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. The Distress'd Situation of the Dutton East Indiaman

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1796
Materials & Techniques:: Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. The Hall and Stair Case, British Museum

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. View of Bloomsbury Square

Creator:: Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching, aquatint, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 22 1/2 inches (43.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Hall, Carlton House

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/16 × 12 1/8 inches (25.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: Print made by James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 3/16 × 16 1/16 inches (38.5 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. View of the Old Corn Market and Tuns Inn, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Portrait of Whistler

Creator:: Henri Charles Guérard, 1846–1897
Date:: 1888
Materials & Techniques:: Etching, drypoint, aquatint and roulette, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 5/16 inches (44.1 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne K. Welcher

429. St. Augustine's Gate, Canterbury

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. A Study

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1810
Materials & Techniques:: Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

431. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Knives, Scissars, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Milk below Maids

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Strawberrys, Scarlet Strawberries.

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Old Chairs to Mend

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 3/8 inches (43.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Do You Want Any Matches?

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Fresh Gathered Peas, Young Hastings

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Round & Sound, Five Pence a Pound, Duke Cherries

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Two Bunches of Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 1/4 inches (42.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Mamma at Romps

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Christ Church Cathedral, Oxford

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Malmsbury Abbey

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, hand colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Clare Hall, Cambridge

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Hand colored, aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand colooring, later state, 1837 edition
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: aquatint, gray wash, 1st published state, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: aquatint, later state, 1837 edition plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Hand colored, aquatint, First published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. The Margate Hoy

Creator:: Print made by Charles Catton the elder RA, 1728–1798
Date:: 1785
Materials & Techniques:: Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 13 1/2 inches (30.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. The Mill by the Sea

Creator:: Print made by Charles Henry Baskett, 1872–1953
Date:: 1914
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 12 11/16 inches (18.6 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

473. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Visit to the Convent at Amiens

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. The Pavilion & Steyne at Brighton

Creator:: James Mitan, 1776–1822
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 28 7/16 inches (46.8 × 72.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Howe's Victory off Ushant

Creator:: Robert Dodd, 1748–1816
Date:: 1795
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 30 1/8 inches (53.1 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. The Famous Lincolnshire Ox

Creator:: Print made by unknown artist
Date:: 1823
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching, aquatint, and roulette on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

483. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

484. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

485. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

486. Elm

Creator:: John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

487. Spruce Fir

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

488. Palm

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

489. Oak

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

490. Willow

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

491. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

492. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

493. A Kashmir Bridge

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1924
Materials & Techniques:: Aquatint; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 5 5/8 × 7 3/8 inches (14.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

494. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Etching and aquatint on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

495. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 23 3/8 inches (48.3 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques aquatint

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401. Antony's Palace

402. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

403. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

404. Glen Crowe, Western Highlands, Scotland

405. View of the Port of Liverpool

406. A Sloop of War in a Light Breeze

407. A First Rate after a Storm

408. The Sieve Mender

409. Malmsbury Abbey

410. Back Entrance to Solomon's Palace

411. Barmouth, Merionethshire

412. Undertakers Regaling

413. Buckingham Stairs Water Gate

414. View of Sion House from the Banks of the Thames

415. The Distress'd Situation of the Dutton East Indiaman

416. The Hall and Stair Case, British Museum

417. View of Bloomsbury Square

418. The Hall, Carlton House

419. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

420. The House of William Russell, Esq., Showell Green

421. View of the Palace and Village of Choisi on the Banks of the Seine

422. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

423. The Water Works at Marli and St. German en Laye seen in the distance

424. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

425. On the Banks of the Marne below the Bridge at Charenton

426. The Water Mill above the Bridge at Charenton

427. View of the Old Corn Market and Tuns Inn, Guildford

428. Portrait of Whistler

429. St. Augustine's Gate, Canterbury

430. A Study

431. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

432. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

433. View of the Village of Chaillot & C. taken from Pont de la Concorde

434. New Mackrel, New Mackrel

435. Hot Spice Gingerbread, Smoking Hot!

436. Knives, Scissars, and Razors to Grind

437. Milk below Maids

438. Strawberrys, Scarlet Strawberries.

439. Old Chairs to Mend

440. A New Love Song, Only ha'Penny a Piece

441. Sweet China Oranges, Sweet China

442. Do You Want Any Matches?

443. Fresh Gathered Peas, Young Hastings

444. Round & Sound, Five Pence a Pound, Duke Cherries

445. Two Bunches of Penny Primroses, Two Bunches a Penny

446. Mamma at Romps

447. Inn Yard at Calais

448. Fitting out. - Plate 1

449. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

450. Christ Church Cathedral, Oxford

451. Peterborough Cathedral

452. Malmsbury Abbey

453. Clare Hall, Cambridge

454. Peterborough Cathedral

455. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

456. Cassiobury, Herfordshire, The Seat of the Earl of Essex

457. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

458. North-West Front, Cassiobury

459. North-West Front, Cassiobury

460. The Great Cloister, Cassiobury

461. The Great Cloister, Cassiobury

462. North-West Front, Cassiobury

463. Lincoln Cathedral

464. Returning from a Review...Paris

465. Changing Horses Near Clermont

466. Breakfast at Breteuil

467. The Margate Hoy

468. Moonlight at Sea, Off the Isle of Wight

469. Moonlight at Sea, Off the Isle of Wight

470. Vaux-Hall

471. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

472. The Mill by the Sea

473. Chain Pier at Brighton

474. Visit to the Convent at Amiens