Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
4
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
5
Print made by James Barry, 1741–1806
Sacra Christi Familia
undated
6
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
7
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
8
Thomas Gainsborough, 1727–1788
A Moonlit Landscape with Cattle by a Pool
ca. 1780
9
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
10
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
11
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
12
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
13
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
14
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
15
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
16
Print made by Thomas Malton the Younger, 1748–1804
The Bank
1781
17
Charles Tomkins, 1757–1823
Encampment at Farnham near St. Edmund's Bury
1782
18
Peltro W. Tomkins, 1760–1840
Encampment at Fornham near St. Edmund's Bury
1782
19
Richard Cooper the Younger, 1740–1814
The Procession of the Knights of the Most Noble Order of the Garter
1782
20
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
21
Print made by Caroline Watson, 1760–1814
Prince William Frederick of Gloucester
1784
22
Print made by John Raphael Smith, 1752–1812
Lady Hamilton as 'Nature'
1784
23
Print made by Caroline Watson, 1760–1814
Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
1785
24
Print made by Charles Howard Hodges, 1764–1837
Lady Dashwood & Child
1785
25
Robert Pollard, 1755–1838
Vaux-Hall
1785
26
Print made by Charles Catton the elder RA, 1728–1798
The Margate Hoy
1785
27
Joseph Collyer, 1748–1827
Miss Mary Palmer
1785
28
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
29
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
30
Print made by John Jones, ca. 1745–1797
Robinetta
1787
31
Robert Pollard, 1755–1838
View of Bloomsbury Square
1787
32
Print made by Robert Pollard, 1755–1838
View of London Bloomsbury Square
1787
33
Print made by Robert Pollard, 1755–1838
View of Hanover Square
1787
34
Print made by John Robert Cozens, 1752–1797
Willow
1789
35
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
36
John Robert Cozens, 1752–1797
Elm
1789
37
Robert Pollard, 1755–1838
View of Grosvenor Square
1789
38
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
39
Print made by John Robert Cozens, 1752–1797
Palm
1789
40
Print made by John Robert Cozens, 1752–1797
Oak
1789
41
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
42
Print made by John Jones, ca. 1745–1797
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
1790
43
Print made by Caroline Watson, 1760–1814
Portrait of Mrs. Elizabeth Stanhope
1790
44
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
45
Print made by John Jones, ca. 1745–1797
The Girl Sleeping
1790
46
Print made by Caroline Watson, 1760–1814
Contemplation
1790
47
Print made by Caroline Watson, 1760–1814
Contemplation
1790
48
Marie C. Prestel, 1747–1794
A Country Churchyard. Verse from Gray's Elegy
1790
49
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
50
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
51
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
52
Print made by John Jones, ca. 1745–1797
Lady Gertrude Fitzpatrick as Sylvia
1791
53
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
54
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
55
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
56
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
57
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
58
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
59
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
60
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
61
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
62
William Ellis, 1747–1810
Beddington
1792
63
William Ellis, 1747–1810
The New Meeting
1792
64
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
65
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
66
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
67
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
68
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
69
Luigi Schiavonetti, 1765–1810
Two bunches a penny Primroses, two bunches a penny
1793
70
Luigi Schiavonetti, 1765–1810
Milk Below Maids
1793
71
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
72
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
73
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
74
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
75
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
76
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
77
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
78
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
79
Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China!
1794
80
Anthony Cardon, 1772–1813
Do you want any Matches?
1794
81
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
82
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
83
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
84
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
85
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
86
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberries
1795
87
James Gillray, 1756–1815
Presages of the Millenium
1795
88
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
89
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
90
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
91
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
92
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
93
Joseph Constantine Stadler, active 1780–1812
Battersea, Chelsea and London from Mr. Rucker's Villa