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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms genre subject
Remove constraint Subject Terms: genre subjectSearch Results
1
- The Timber Wain
- between 1833 and 1834
2
- Grotesque Male Head
- undated
3
- Leeds
- 1816
4
- Rome from Monte Mario
- ca. 1818
5
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
6
- Street Scene at Stratford by Bow
- undated
7
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
8
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
9
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
10
- The Reconcilation
- 1817
11
- Country Scene: Cottage and Figures on a Winding Road
- undated
12
- The Village of Aldbury, Hertfordshire
- 1816
13
- Haymakers
- undated
14
- A Raree Show
- between 1792 and 1793
15
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
16
- The Smock Exposed
- 1817
17
- Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
- 1799
18
- Illustration to the Virtuous Orphan
- undated
19
- Rustic Scene: man fishing, left; cottage with water-mill and horses right
- undated
20
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
21
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
22
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
23
- Hogarth Sitting to Roubiliac for His Bust
- 1817
24
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
25
- Design in Color for a Bookplate
- undated
26
- A Fireworks Display
- undated
27
- Design for Medal: Both Hands Fil'd for Britain
- undated
28
- Design for a Medal: Growing Arts Adorn Empire, Caroline Protecting
- ca. 1736
29
- Three Ladies Standing on a Terrace
- undated
30
- Preparing to lay eel traps
- undated
31
- An Eclipse in Harvest Time
- undated
32
- The Union Club
- undated
33
- Carisbrooke Castle, Isle of Wight
- undated
34
- Coast Scene near Plymouth
- undated
35
- The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
- undated
36
- The Gypsy Fortune-Teller
- ca. 1758
37
- The Theatre-Goers
- undated
38
- A Group of Men on Westminster Pier
- ca. 1752
39
- Frieze of a Medieval Wedding
- undated
40
- Playing at Dice, Trepani
- between 1780 and 1790
41
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
42
- Charity Children and Little Vagabonds
- undated
43
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
44
- A Decorative Object
- undated
45
- The Contented Miller
- undated
46
- The Travelling Musicians
- undated
47
- Air Man, July 10, 1828
- 1828
48
- Haymaking
- undated
49
- Bucks of the First Head
- ca. 1785
50
- A Country Amusement - Bull Baiting
- undated
51
- Bottom of Sword Sheath
- undated
52
- Relieving the Distressed Travellers
- undated
53
- The Ferry
- undated
54
- Modern Exercise
- undated
55
- A Durbar Scene, Poona, October 3, 1792
- 1792
56
- A Waterman with his Ox or Bullock
- undated
57
- A Modern Diversion
- undated
58
- Square in the Village of Los Silos, Tenerife
- 1827
59
- The Harmonious Family
- undated
60
- The Produce of Industry
- undated
61
- Three Jeyties Exercising
- ca. 1792
62
- The Puckally
- 1828
63
- The Checkoo or Oil Mill
- 1828
64
- The Hall, Rugby School
- undated
65
- Woman Bending over Basket
- undated
66
- The Travelling Show Man
- undated
67
- A Hindu Devotee
- undated
68
- Peter Callam & Elvira
- undated
69
- The Basket Maker
- 1828
70
- Keilghee or Ornament for Horses Forelock
- undated
71
- The Meat Market
- undated
72
- The Greengrocer
- ca. 1819
73
- The Steine, Brighton
- 1787
74
- Edinburgh Castle and Horse Fair
- ca. 1828
75
- Man Watering Four Horses
- undated
76
- Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
- undated
77
- Two Men at Fisticuffs
- undated
78
- Figures Harvesting
- undated
79
- A Soldier on Horseback
- undated
80
- Horses and Wagon Outside a Cottage
- undated
81
- Country Folk with a Child, Beside a River
- undated
82
- The Toll-house with a Coach Crossing the Bridge
- undated
83
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
84
- Scene in a Roman Prison
- undated
85
- A Rustic Scene
- undated
86
- Windsor Castle
- undated
87
- River Landscape with Figures
- undated
88
- Heveningham Hall, Suffolk
- between 1782 and 1790
89
- The Bayswater Turnpike
- undated
90
- The Gateway of Lancaster Castle
- ca. 1778
91
- The Ruins of Leiston Abbey
- 1781
92
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
93
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
94
- Interior Scene with Family at Tea
- undated
95
- The Offer
- undated
96
- Mother and Child with Young Boy Leaning on Window Sill
- undated
97
- An Old Fisherwoman with Two Women Digging for Bait
- undated
98
- Fisherfolk with Baskets and Nets
- undated
99
- The Fortune Teller
- 1827
100
- Denial and Disappointment
- undated