A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
116
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
117
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
118
Edward Francis Burney, 1760–1848
Unique Specimens of Mineralogy
undated
119
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
120
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
121
unknown artist
Crossing the Bridge
early 19th century
122
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
123
Attributed to William Ward, 1766–1826
View of the Britannia
undated
124
unknown artist
The Virtuous Family
ca. 1790
125
unknown artist
Rusthill Common near Tunbridge Wells, Kent
ca. 1840
126
John Vanderbank, 1694–1739
Preparatory Study for the decoration "Equestrian Portrait of George I"
undated
127
John Warwick Smith, 1749–1831
Cascade of Buffalora
undated
128
John Renton, 1774–c.1841
Luggila, County of Wicklow
undated
129
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
130
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevation of Lodge
ca. 1790
131
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
132
Richard Parkes Bonington, 1802–1828
A Seascape
undated
133
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
134
John Thomas Smith, 1766–1833
The Smock Exposed
1817
135
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
136
John Thomas Smith, 1766–1833
The Reconcilation
1817
137
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
138
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
139
Paul Sandby, 1731–1809
The Misses Sandby of Norwich
undated
140
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
141
John Varley, 1778–1842
The Fisherman
undated
142
John Varley, 1778–1842
Trees Overhanging a River
undated
143
John Varley, 1778–1842
A Romantic Landscape
undated
144
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
145
Benjamin West, 1738–1820
Page Boy Asleep
undated
146
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
147
William Blake Richmond, 1842–1921
Portrait of a Gentleman
undated
148
Thomas Carwitham, active 1723
Figure studies
1723
149
unknown artist
Design for Wall Paper
ca. 1760
150
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
151
Thomas Uwins, 1782–1857
John Britton, F.S.A
ca. 1820
152
John Vanderbank, 1694–1739
Portrait of a Young Lady as a Shepherdress
undated
153
Sir James Thornhill, 1675–1734
The House of Commons
after 1731
154
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
155
Sir David Wilkie, 1785–1841
Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
1833
156
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
157
William Kent, ca.1686–1748
The Cascade at Chiswick House, Middlesex: Elevation and Plan
between 1720 and 1735
158
William Kent, ca.1686–1748
Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
159
William Kent, ca.1686–1748
Design for a Pavilion in a Deer Park
ca. 1735
160
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
161
William Kent, ca.1686–1748
Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
between 1728 and 1732
162
William Kent, ca.1686–1748
Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation
ca. 1738
163
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
164
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
165
Sir Walter Thomas Monnington, 1902–1976
Macrocarpa
undated
166
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
167
Nicholas Pocock, 1740–1821
View of Revel, Capital of Esthonia
undated
168
Francis Place, 1647–1728
Coquet Island
undated
169
Philippe-Jacques de Loutherbourg, 1740–1812
Smugglers
undated
170
unknown artist
Standing Woman
undated
171
unknown artist
Harbor
undated
172
unknown artist
Thatched Roof and Tree
undated
173
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
174
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
175
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
176
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
177
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
178
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
179
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
180
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
181
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
182
unknown artist
Alcibiades and Timon
undated
183
Gavin Hamilton, 1723–1798
Classical Composition
undated
184
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
185
Gavin Hamilton, 1723–1798
Classical Composition
undated
186
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
187
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
188
Mary Harcourt, 1750–1833
Lake Morat from Avenches
ca. 1780
189
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
190
Wenceslaus Hollar, 1607–1677
A View from Peterborough Tower at Tangier
1669
191
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
192
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
193
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View