Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: genre subject / Subject Terms: genre subject and woman

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre genre subject

Subject Terms genre subject

Subject Terms woman

Print made by James Bretherton, ca. 1730–1806

A Modern Spread Eagle

1782

Print made by James Bretherton, ca. 1730–1806

Study of a Lady

1781

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by John Goldar, 1729–1795

Captain Conquest and His Baggage Wagon

1772

Print made by Philip Dawe, ca.1750–ca.1790

The Letter Woman

ca. 1769

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by Charles West Cope, 1811–1890

Morning Prayer

1844

Print made by Charles West Cope, 1811–1890

The Spring Flood

1865

Print made by John Sell Cotman, 1782–1842

Spanish Student

ca. 1830

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Charles Bretherton, ca. 1760–1783

Lady Pointing with a Stick

1782

Print made by James Bretherton, ca. 1730–1806

A Maid

1774

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Print made by Henry William Bunbury, 1750–1811

Love and Wind

undated

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Philip Dawe, ca.1750–ca.1790

Reading by a Paper-Bell Shade

1768

Print made by Jean B. C. Chatelain, 1710–1771

Man and Woman Digging

1737

Louisa Augusta Greville, 1743–active 1762

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

1770

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Myles Birket Foster, 1825–1899

An Old English Mill

undated

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by William Ellis, 1747–1810

Clapham

1792

Print made by Francesco Bartolozzi, 1728–1815

February

1793

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