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Materials & Techniques gray wash

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Period 19th century

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Subject Terms genre subject

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Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
John Constable Mr. Hobson of Markfield and Family
John Constable, 1776–1837
Mr. Hobson of Markfield and Family
ca. 1806
Thomas Sunderland Landscape at Ambleside
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
Henry William Burgess Interior of a Coppersmith's, Shoe Lane
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
Hablot Knight Browne The Search after Truth
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
John Glover Two Little Girls
John Glover, 1767–1849
Two Little Girls
ca. 1810
Paul Sandby Cart Bearing a Large Tree Trunk
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
James Ward Ben Lomond, August 17
James Ward, 1769–1859
Ben Lomond, August 17
ca. 1805
Sir John Everett Millais Study for The Woodman's Daughter
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
Henry Monro A Wooded Track
Henry Monro, 1791–1814
A Wooded Track
1813
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Lewis Vaslet The Spoiled Child, Scene V
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
Walter Geikie Edinburgh Castle and Horse Fair
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
Walter Geikie Humorous Family Scene
Walter Geikie, 1795–1837
Humorous Family Scene
undated
Sir John Gilbert Wayfarers
Sir John Gilbert, 1817–1897
Wayfarers
undated
Aubrey Vincent Beardsley The Lady at the Dressing Table
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
Edward Francis Burney Illustration for The New Doll: Sewing Clothes for the Doll
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
Isaac Weld Funeral Procession at Rome
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
Edward Francis Burney Illustration for The New Doll: The Doll brought Home
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
Isaac Weld An Execution, Rome
Isaac Weld, 1774–1856
An Execution, Rome
1819
Edward Francis Burney Illustration for The New Doll: Untitled
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
Edward Francis Burney Illustration for The New Doll: Untitled
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
Gwen John Young Woman playing a Violin
Gwen John, 1876–1939
Young Woman playing a Violin
between 1897 and 1898
Florence Claxton Wallflowers
Florence Claxton, active 1855–1889
Wallflowers
undated
Florence Claxton Gentleman with Whiskers
Florence Claxton, active 1855–1889
Gentleman with Whiskers
undated
George Augustus Sala A Life on the Ocean Wave
George Augustus Sala, 1828–1895
A Life on the Ocean Wave
undated
George Augustus Sala Be it ever so Humble, There's no place like Home
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
Edward Francis Burney Ilustration for The New Doll: Untitled
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
Edward Francis Burney Illustration for- The New Doll: Untitled
Edward Francis Burney, 1760–1848
Illustration for- The New Doll: Untitled
1826
James Smetham Cutting Reviews
James Smetham, 1821–1889
Cutting Reviews
undated
Sir David Wilkie Johnny and His Pony
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
Florence Claxton Conversazione
Florence Claxton, active 1855–1889
Conversazione
undated
Florence Claxton A Game at Cards
Florence Claxton, active 1855–1889
A Game at Cards
undated
Thomas Rowlandson An Old Coquette Outstood her Market
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
Thomas Rowlandson Kitty Overcome
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
David Roberts Group of Figures, Gadshill
David Roberts, 1796–1864
Group of Figures, Gadshill
1862
Michael Angelo Hayes A Soldier's Knapsack: Two Studies, Side and Front View
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
James Smetham The Country Artist
James Smetham, 1821–1889
The Country Artist
undated
unknown artist Egyptians outside a tomb
unknown artist
Egyptians outside a tomb
undated
unknown artist Woman with Folded Arms
unknown artist
Woman with Folded Arms
undated
Richard Doyle Bluebeard Giving the Keys to Fatima
Attributed to Richard Doyle, 1824–1883
Bluebeard Giving the Keys to Fatima
undated
unknown artist A Seat in Church
unknown artist
A Seat in Church
1839
John Augustus Atkinson Going to School
John Augustus Atkinson, 1775–1831
Going to School
between 1801 and 1810
John White Abbott The Courtyard of Mr. Bank's House, Northernhay, Exeter
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816