The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
2
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
3
John Augustus Atkinson, 1775–1831
Going to School
between 1801 and 1810
4
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
5
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
6
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
7
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
8
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
9
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
10
Edward Francis Burney, 1760–1848
Illustration for- The New Doll: Untitled
1826
11
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
12
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
13
Florence Claxton, active 1855–1889
Gentleman with Whiskers
undated
14
Florence Claxton, active 1855–1889
A Game at Cards
undated
15
Florence Claxton, active 1855–1889
Wallflowers
undated
16
Florence Claxton, active 1855–1889
Conversazione
undated
17
John Constable, 1776–1837
Mr. Hobson of Markfield and Family
ca. 1806
18
Attributed to Richard Doyle, 1824–1883
Bluebeard Giving the Keys to Fatima
undated
19
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
20
Walter Geikie, 1795–1837
Humorous Family Scene
undated
21
Sir John Gilbert, 1817–1897
Wayfarers
undated
22
John Glover, 1767–1849
Two Little Girls
ca. 1810
23
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
24
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
25
Gwen John, 1876–1939
Young Woman playing a Violin
between 1897 and 1898
26
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
27
Henry Monro, 1791–1814
A Wooded Track
1813
28
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
29
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
30
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
31
David Roberts, 1796–1864
Group of Figures, Gadshill
1862
32
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
33
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
34
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
35
George Augustus Sala, 1828–1895
A Life on the Ocean Wave
undated
36
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
37
James Smetham, 1821–1889
Cutting Reviews
undated
38
James Smetham, 1821–1889
The Country Artist
undated
39
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
40
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
41
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
42
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
43
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
44
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
45
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
46
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
47
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
48
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
49
John Thomas Smith, 1766–1833
The Smock Exposed
1817
50
John Thomas Smith, 1766–1833
The Reconcilation
1817
51
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
52
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
53
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
54
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
55
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance