Materials & Techniques: laid paper / Genre: literary theme / Image Available: Available / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

John Simon, 1675–1755

The Right Honorable Jospeh Addison, Esqr

undated

John Faber the Younger, ca. 1695–1756

Joseph Addison Esq

1733

Johann Jacobé, 1733–1797

Honorable Miss Mary Monkton

1781

John Raphael Smith, 1752–1812

Mrs. Montagu

1776

William Dickinson, 1746–1823

Thomas Percy

undated

Thomas Watson, 1743–1781

Elizabeth Ann Sheridan (née Linley) as St. Cecilia

1779

George Vertue, 1684–1756

Sir Philip Sidney

1741

William Faithorne the Younger, ca. 1669–1703

John Smith, Writing Master in London

undated

George Vertue, 1684–1756

Edmund Spenser

1727

John Jones, ca. 1745–1797

Honorable Mrs. Tollemache in the Character of Miranda

1786

Charles Howard Hodges, 1764–1837

Reverend Thomas Warton

1786

Print made by Thomas Bewick, 1753–1828

Dog and the Shadow

1909

Print made by James Parker, 1750–1805

The Fall of Agandecca

1783

Benjamin Smith, 1775–1833

The Alto Relievo

1796

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by John Ogborne the Elder, 1755–1795

Mrs. Jordan in the Character of the Romp

1788

Print made by Robert Dunkarton, 1744–1811

Mrs. Jordan as L'Allegro

1771

Print made by Robert Dunkarton, 1744–1811

Mrs. Yates as 'Melancholy' in 'Il Penseroso'

1771

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by John Raphael Smith, 1752–1812

Love in Her Eyes Sits Playing

1778

Print made by William Ward, 1766–1826

Mrs. Pope as Juliet

ca. 1804

Print made by Richard Earlom, 1743–1822

Bathsheba Bringing Abishag to David

1779

Print made by Bernard Lens II, 1659–1725

Venus and Adonis

ca. 1690

Print made by Bernard Lens II, 1659–1725

The Judgement of Paris

undated

Print made by Bernard Lens II, 1659–1725

Venus and Adonis

undated

Print made by Bernard Lens II, 1659–1725

Acteon and Diana

undated

Print made by James McArdell, ca. 1729–1765

Lisabetta

undated

Print made by John Simon, 1675–1755

Dorastus and Fawnia

undated

Print made by Wallerant Vaillant, 1623–1677

Rinaldo and Armida

undated

Print made by Thomas Watson, 1743–1781

Maria

1777

Print made by Philip Dawe, ca.1750–ca.1790

Juliet

1779

Print made by Elisha Kirkall, ca. 1682–1742

Apollo and Daphne

undated

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Giuseppe Marchi, ca. 1735–1808

Portrait of John Moody as Foigard

between 1769 and 1771

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

ca. 1783

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

Print made by Robert Thew, 1758–1802

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Edward Scriven, 1775–1841

Julius Caesar: Act IV Scene III: Brutus' Tent ..

1802

Peter Simon, 1750–1810

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

1789

Print made by William Miller, 1796–1882

Skiddaw

1834

Valentine Green, 1739–1813

Rinaldo and Armida

1775

Robert Pollard, 1755–1838

The Hermitage of Warkworth

1787

unknown artist

Sir Francis Bacon, 1st Viscount St. Alban

undated

unknown artist

Sir Francis Bacon, 1st Viscount St. Alban

1627

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene III

undated

Giuseppe Marchi, ca. 1735–1808

Samuel Dyer

1773

John Blackmore, active 1740–1780

Samuel Foote

1771

Print made by William Whiston Barney, active 1805–1817

The Right Honourable John Hookham Frere

1810

Richard Purcell, active 1746–1766

Garrick Between Tragedy and Comedy (David Garrick)

undated

Robert Pollard, 1755–1838

Edwin and Angelina

1785

George White, ca.1684–1732

Sir Richard Blackmore

undated

Francesco Bartolozzi, 1728–1815

Reverend Hugh Blair, D.D

1801

Print made by Robert Blyth, 1750–1784

The Captive

1781

John Raphael Smith, 1752–1812

Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash

1797

Print made by Francis Legat, 1755–1809

King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)

1790

Print made by Pieter van Bleeck, 1700–1764

Griffin and Johnson

1748

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

Print made by unknown artist

Grandpapa's Story or The Witches Frolick

1838

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745